Back Umbertina Save as PDF
Chapters (47)
  1. 1. Cover Page
  2. 2. Title Page
  3. 4. Author’s Note
  4. 5. Dedication
  5. 7. Prologue
  6. 8. Part One: Umbertina 1860 - 1940
  7. 9. Chapter One
  8. 10. Chapter Two
  9. 11. Chapter Three
  10. 12. Chapter Four
  11. 13. Chapter Five
  12. 14. Chapter Six
  13. 15. Chapter Seven
  14. 16. Chapter Eight
  15. 17. Chapter Nine
  16. 18. Chapter Ten
  17. 19. Part Two: Marguerite 1927 – 1973
  18. 20. Chapter Eleven
  19. 21. Chapter Twelve
  20. 22. Chapter Thirteen
  21. 23. Chapter Fourteen
  22. 24. Chapter Fifteen
  23. 25. Chapter Sixteen
  24. 26. Chapter Seventeen
  25. 27. Chapter Eighteen
  26. 28. Chapter Nineteen
  27. 29. Chapter Twenty
  28. 30. Chapter Twenty-One
  29. 31. Chapter Twenty-Two
  30. 32. Chapter Twenty-Three
  31. 33. Part Three: Tina 1950 –
  32. 34. Chapter Twenty-Four
  33. 35. Chapter Twenty-Five
  34. 36. Chapter Twenty-Six
  35. 37. Chapter Twenty-Seven
  36. 38. Chapter Twenty-Eight
  37. 39. Chapter Twenty-Nine
  38. 40. Chapter Thirty
  39. 41. Chapter Thirty-One
  40. 42. Chapter Thirty-Two
  41. 43. Chapter Thirty-Three
  42. 44. Chapter Thirty-Four
  43. 45. Chapter Thirty-Five
  44. 46. Afterword
  45. 48. About the Author
  46. 49. About the Feminist Press
  47. 50. Also Available from the Feminist Press

He held her close to him and said, “I will make a real human being out of you. We will live a life of art together. You are a creative person with much to express. Only remember that one has to love the other’s defects as well as his virtues—maybe more. Remember, too, the classic position is detachment.”

“Even in bed?” she asked, responding to his caresses.

Marguerite continued her Italian courses in Florence. She liked this interlude of aloneness with Florence during the week and Alberto’s being with her on weekends.

Things went well between them except when he unwittingly offended her sensibilities about the culture she was acquiring.

“What rubbish to give foreigners!” he said when she told him she was reading Pulci, Ficino, Poliziano. “You don’t want to turn out like those American Express ladies who go through the Uffizi and think they have to look at every single work in every room when it’s enough to go straight to the Primavera and one or two others.” She felt ridiculed.

“But, Alberto,” she protested—her eyes troubled, her voice unsteady with a kind of smothered indignation—“it’s different for you. These things were part of your background from always. But just think of what my background was—nothing! We don’t even know who we are any further than my grandparents, and you’ve got family trees right back to the thirteenth century. It’s only with my parents that reading and writing and speaking correctly began for us. That’s the difference between us!”

He understood her resentment because he was a compassionate man, even when he told her in jest, “That’s a big difference. It’s a good thing your Calabrian grandparents emigrated to America and made it possible for a northern Italian like me to marry you. Not many northerners would let themselves in for marriage with a terrone.”

“Tant pis for them—you northern intellectuals could use new blood and brains. My grandmother, for one, had native intelligence.”

“Then we are a good combination for our children: my beauty and your native Calabrian intelligence. And once we do have children all this cultural mania of yours will evaporate.”

“Oh, you’re impossible, Alberto! Don’t you understand I don’t want it to evaporate! What am I paying for?” She sounded just like a Scalzo.

“Già,” he laughed. “Americans can buy anything.”