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Chapters (59)
  1. Other Books by Roslyn Sinclair
  2. Dedication
  3. Acknowledgments
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. Chapter 9
  13. Chapter 10
  14. Chapter 11
  15. Chapter 12
  16. Chapter 13
  17. Chapter 14
  18. Chapter 15
  19. Chapter 16
  20. Chapter 17
  21. Chapter 18
  22. Chapter 19
  23. Chapter 20
  24. Chapter 21
  25. Chapter 22
  26. Chapter 23
  27. Chapter 24
  28. Chapter 25
  29. Chapter 26
  30. Chapter 27
  31. Chapter 28
  32. Chapter 29
  33. Chapter 30
  34. Chapter 31
  35. Chapter 32
  36. Chapter 33
  37. Chapter 34
  38. Chapter 35
  39. Chapter 36
  40. Chapter 37
  41. Chapter 38
  42. Chapter 39
  43. Chapter 40
  44. Chapter 41
  45. Chapter 42
  46. Chapter 43
  47. Chapter 44
  48. Chapter 45
  49. Chapter 46
  50. Chapter 47
  51. Chapter 48
  52. Chapter 49
  53. Chapter 50
  54. Chapter 51
  55. Chapter 52
  56. Chapter 53
  57. Chapter 54
  58. Other Books from Ylva Publishing
  59. About Roslyn Sinclair

“And of course you want it to be dramatic. Nothing all furled up and stationary, so the sails have to be out. Last time in the Keys, the shoot director didn’t hire enough people who knew what to do with sailboats. So when the booms were swinging around like baseball bats and models and photographers were ducking and covering left and right…”

“Oh no.” Jules laughed.

“Well, that’s just a question of torque,” Allie said casually.

Simon and Jules blinked at each other, then Simon turned to Allie. “Excuse me?”

“Oh, you know,” Allie said, smiling at him. “Torque. It’s just a vector that measures the tendency of a force to rotate an object around its axis. It’s one of the rotational analogs of force, mass, and acceleration. The closer you are to the axis, you know, the sail pole, the more force you need to move your object, like the boom, around it. But the farther out the object is, like the end of the boom, the less force you need to move it.”

“Um,” Jules said.

“Exactly! It’s like when you push open a door. You don’t press at it close to the hinge because that’s harder; you push it by the knob or the edge because that’s where it’s easier. You need less force. That’s sort of like when the wind moves the end of the boom around. It doesn’t take a lot of force, and next thing you know”—Allie swung her arm around in a wide arc—“whammo! So that’s torque. Force is the push, and torque is the twist.”

Simon and Jules stared at Allie with their jaws slowly sagging open.

“It’s simple,” Allie added. “I mean, that’s just the basics. You don’t really need to know all the formulae. Although it gets interesting once you start working out the scalar product of two vectors.”

“Oh,” Jules said.

“Anyway, just make sure the booms are stable where they connect to the poles,” Allie added, beaming at them, “so the wind would have to exert a lot more force if it wants to move the ends. Maybe some kind of buttress, just for the photoshoot. I can draw you a diagram”—she blushed—“if you think it would help.”

“I…” Simon said. “Uh…”

“Allie,” Jules said, and blinked rapidly. “How do you know all that?”

“Oh!” Allie’s face brightened. “I’m double-majoring in physics and media at NYU. I didn’t put the physics major on my résumé, though. I didn’t think it would look very stylish.”

“Um—”

“My advisor said I should think about grad school and a career in astrophysics, but I told him that fashion was my passion.” She suddenly smiled again. “Hey, that rhymed.”

“Rhymed,” Simon said. “Yes.”