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Chapters (34)
  1. Copyright Notice
  2. FOREWORD
  3. I
  4. The goldfish, the pink chaise, the fly
  5. Lance Sterling fires his cap guns, Omar takes a bath
  6. Carlotta
  7. The scarred old toad
  8. The restless creeping of the worm
  9. The raised blade
  10. The Hung Far Low
  11. A ten-dollar car for ten dollars
  12. The country house
  13. The broken pencil question
  14. The morning pill, bedtime pill, two o’clock in the afternoon pill
  15. II
  16. A family of pastoral delinquents
  17. Rosen, Lance, Omar, Aram
  18. The toad’s peculiar poison
  19. The fewmet of the bully
  20. It’s nice shitting in the woods
  21. The Volcano Bar diet
  22. The first tomato
  23. The goddamn baby
  24. III
  25. The house almost atop the hill
  26. Rennel
  27. This place is hard to find
  28. A steely determination to die
  29. Siesta Time 24-Hour Laundromat
  30. The cat, the fish, and the toad
  31. EDITOR’S NOTE
  32. Also by Katherine Dunn
  33. A Note About the Author
  34. Newsletter Sign-up

Sam and Rennel came back for the beginning of the school year but I didn’t see them until October. It was my birthday, come to think of it, and it was really the beginning of everything that happened. It was my twentieth, worlds ago. I was attending two classes and writing lewd poems in response to some classical text I was reading. I remember I had actually gone down one night to a local spot that encouraged that sort of thing. I sat up on a stool under a spotlight and read my poems to the audience. I hid in my room for days after that, which shows that I had some sense after the fact at least. The poems were to be part of a long revelation of existence pro tem called “The Fever City Series.” These things don’t make me wince anymore; I have the excuse of time, which allows me to despise my youth without being at all responsible for most of it.

Some guilt carries over, though. I heard, by some bit of eavesdropping, that there was another poet in town, a surprise to begin with, who was also dedicating himself to the production of a volume to be titled “The Fever City Series.” At first this was infuriating, but through a further bending of the ear at this private conversation I discovered that the poet’s name was Ram Deweese. I interrupted:

“Forgive me, but is his name really Ram, or did he make it up?”

“His name is Ramses, but his friends call him Ram.”

A magical name. I had to find him. I thought of a golden nape of hair curling down his neck, a glass of wine, my eyes locked with his in the terrible struggle to communicate our affinities. I spent my twentieth birthday walking around the city, clutching a corner torn from an envelope with an address penciled on it. The backs of necks have been fatal to me at times; it was that imagined nape that drove me up one street and down another. The address, for some reason, was difficult to locate. Finally, as I passed a small dingy bungalow for the third time, the door opened and a pudgy, white-haired fellow came out with a saucer of cat food. He bent to put the saucer on the step and glanced up at me through his bleary spectacles.

“I’m looking for Ram Deweese,” I said.

He straightened. “I’m Ram Deweese.”

He had no neck. If he’d had one it would have been pink and covered with eczema. I mumbled something about having admired his poetry.

“Come in and have a drink.”