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Contents ( 60)
  1. Dedication
  2. Contents
  3. Prologue
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. Chapter 9
  13. Chapter 10
  14. Chapter 11
  15. Chapter 12
  16. Chapter 13
  17. Chapter 14
  18. Chapter 15
  19. Chapter 16
  20. Chapter 17
  21. Chapter 18
  22. Chapter 19
  23. Chapter 20
  24. Chapter 21
  25. Chapter 22
  26. Chapter 23
  27. Chapter 24
  28. Chapter 25
  29. Chapter 26
  30. Chapter 27
  31. Chapter 28
  32. Chapter 29
  33. Chapter 30
  34. Chapter 31
  35. Chapter 32
  36. Chapter 33
  37. Chapter 34
  38. Chapter 35
  39. Chapter 36
  40. Chapter 37
  41. Chapter 38
  42. Chapter 39
  43. Chapter 40
  44. Chapter 41
  45. Chapter 42
  46. Chapter 43
  47. Chapter 44
  48. Chapter 45
  49. Chapter 46
  50. Chapter 47
  51. Chapter 48
  52. Chapter 49
  53. Chapter 50
  54. Chapter 51
  55. Acknowledgments
  56. About the Author
  57. Books by Andrea Portes
  58. Back Ad
  59. Copyright
  60. About the Publisher

I don’t think ax murderers wear florals. (I mean, possibly Norman Bates from Psycho?)

The human is hunched over itself as if organizing something, and its words seem to pick themselves out in twos and threes up the staircase.

“Oh well . . . now that’s done . . . there it is . . . oh my head!”

There is a hat involved, a funny little orange thing with a chiffon flower, crumpled in a very purposeful way.

I should probably announce myself, say hello, or do whatever it is polite people are meant to do in this situation. But in moments of discomfort, my default mode is “overwhelming paralysis.”

I stand there, at the top of the staircase, hoping the floral mystery figure somehow detects my presence. Maybe if I clear my throat . . . ? Or I could drop something? I could drop something down below. On her head. Wait. Why did I think that?

“Hellooooo?”

It’s an English voice.

A Harry Potter voice.

It’s exactly the right voice to go with all those patterns and that rumpled hat. It’s the only kind of accent you can get away with while walking around the world as if you just fell out of a laundry basket.

“Is anyone there? Halllloooo?”

“Um. I’m here, I guess. At least, I think I am.”

The hat turns upward and beneath it there she is. A not-quite-so-elderly woman with a face the color of oatmeal and defiant red lipstick.

“Oh, indeed!” She sizes me up. “Well, whatever are you doing staring down at me like an owl atop its keep? Come down here, this minute!”

Geez. I guess she thinks she owns the place.

But the professor is the owner, right? Along with his mysterious wife?

As I descend the stairs, she sizes me up in the unsubtle way that only a woman raised with a very high opinion of herself ever would.

“My heavens. Aren’t you a slip of a girl? It’s as if you hardly exist!”

“That could be,” I reflect.

This puzzles her and she squints at me, suspicious. “Are you, indeed, the summer help? Why, you can’t even be twenty years old.”

“No, I’m not.”

“Well, how old are you, then?”

“I graduated high school last week.”

“So, eighteen?”

“Seventeen, actually.”

“Seventeen?” she tuts. “Graduated high school at seventeen . . . ? Well, aren’t you a clever one?”

“Not really, I just didn’t have anything else to do.”

She warms to this, somehow.

“Ah!” She takes a moment to contemplate me. “I see.”

As if by habit, she adjourns to the living room, taking a seat in a chinoiserie wingback chair. Blue and coral, with sparrows taking assorted positions on various branches.

“And your parents? How do they feel about this child labor?”

“There’s really just my grandma, actually. She’s fine with it. I think she’s probably relieved.”

She flattens the front of her skirt with her palms, crossing her legs at the ankles.

“And where are you from, then? Wait! Let me guess. A small but indistinct town somewhere out west but not too far out west. Illinois? Ohio? Iowa? Am I getting close?”