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Contents ( 60)
  1. Dedication
  2. Contents
  3. Prologue
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. Chapter 9
  13. Chapter 10
  14. Chapter 11
  15. Chapter 12
  16. Chapter 13
  17. Chapter 14
  18. Chapter 15
  19. Chapter 16
  20. Chapter 17
  21. Chapter 18
  22. Chapter 19
  23. Chapter 20
  24. Chapter 21
  25. Chapter 22
  26. Chapter 23
  27. Chapter 24
  28. Chapter 25
  29. Chapter 26
  30. Chapter 27
  31. Chapter 28
  32. Chapter 29
  33. Chapter 30
  34. Chapter 31
  35. Chapter 32
  36. Chapter 33
  37. Chapter 34
  38. Chapter 35
  39. Chapter 36
  40. Chapter 37
  41. Chapter 38
  42. Chapter 39
  43. Chapter 40
  44. Chapter 41
  45. Chapter 42
  46. Chapter 43
  47. Chapter 44
  48. Chapter 45
  49. Chapter 46
  50. Chapter 47
  51. Chapter 48
  52. Chapter 49
  53. Chapter 50
  54. Chapter 51
  55. Acknowledgments
  56. About the Author
  57. Books by Andrea Portes
  58. Back Ad
  59. Copyright
  60. About the Publisher

And the butcher knife. In her hand. Gleaming.

“Do you mind if we just, uh, call it a day. I’m really uh . . .”

“Oh! Is this not a good time then?” The smile begins to falter, sliding off her lips.

“Well, it’s just . . . it’s just—”

“Oh, it’s fine, dear. I know when I’m not wanted. Quite fine.” And this passive-aggressive turn now made menacing by the butcher knife, still in hand.

I want to shout, “Hand over the butcher knife!” but, of course, I can’t. Or I don’t.

“You know . . . little girls like you all alone in a house like this. It’s not right. I mean, think! Anything could happen to you.”

Butcher knife still in hand.

When the hell is she going to put it down?

“Deary, you simply can’t be here by yourself. It’s not safe.” She comes closer now. Seeming almost to glide.

“Excuse me, I . . .” And now I’m light-headed, not knowing what to do. Suddenly she’s transformed, and seems so menacing. So close. Still holding the gleaming knife.

“I’m afraid for you, my darling! I’m afraid for you, here, in this place! You don’t know what could happen! What has occurred!”

And now she’s suddenly short of breath, panicked, mania in her eyes, still holding the knife.

“Please, you just need to sit down. Perhaps some water . . .” And I turn toward the refrigerator, but just as I turn, I see her out of the corner of my eye. . . .

She lunges!

She lunges toward me with the knife.

It splits the air, gleaming, an arc down, right where my back was just a split second ago!

“Jesus!” I hurl myself to the other side of the room, but now she is . . . she is something else . . . a decrepit, deranged thing, heading toward me, throwing herself toward me.

And I fucking run.

I fling myself into the hallway and up the stairs, not knowing what I am doing until I do it.

“No, no! There is method to my madness! You will see! Let me show you!”

Looking back in glances, I see with horror that she is now not the sweet old lady from somewhere posh in England, but a haggard, kind of shriveled shrew following me, spouting maniacally about the house.

“It’s this house! Don’t you see?! The house does it to everyone! It will do it to you! That’s why, this is why! You must be gone before it’s too late!”

And again, she catapults herself toward me, swinging the knife in the motion of a sickle, and I’m not even touching the ground now, just hurling myself forward, just seeming to fly upward and away, thinking, think, Daffodil, thinking what can I do, how can I make this stop. She is mad! She is truly mad!

And the thought in a thunderclap . . . who the hell is this lady . . . who is she? The professor never introduced her. She said she was a friend. That was her report. She could have come from anywhere, from the town, from the street, some homeless woman from Philadelphia, possibly wandered in from the city . . . and I’m breathless, I’m panicking. . . .