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Contents ( 60)
  1. Dedication
  2. Contents
  3. Prologue
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. Chapter 9
  13. Chapter 10
  14. Chapter 11
  15. Chapter 12
  16. Chapter 13
  17. Chapter 14
  18. Chapter 15
  19. Chapter 16
  20. Chapter 17
  21. Chapter 18
  22. Chapter 19
  23. Chapter 20
  24. Chapter 21
  25. Chapter 22
  26. Chapter 23
  27. Chapter 24
  28. Chapter 25
  29. Chapter 26
  30. Chapter 27
  31. Chapter 28
  32. Chapter 29
  33. Chapter 30
  34. Chapter 31
  35. Chapter 32
  36. Chapter 33
  37. Chapter 34
  38. Chapter 35
  39. Chapter 36
  40. Chapter 37
  41. Chapter 38
  42. Chapter 39
  43. Chapter 40
  44. Chapter 41
  45. Chapter 42
  46. Chapter 43
  47. Chapter 44
  48. Chapter 45
  49. Chapter 46
  50. Chapter 47
  51. Chapter 48
  52. Chapter 49
  53. Chapter 50
  54. Chapter 51
  55. Acknowledgments
  56. About the Author
  57. Books by Andrea Portes
  58. Back Ad
  59. Copyright
  60. About the Publisher

He doesn’t feel it—until it is too late.

Is this a message?

(Is it too late?)

As I stare at the pathetic, maltreated frog, splatted there on the white octagonal tile, I know that I am being watched. I turn, a shiver racing up my spine to the back of my neck.

But there is no one.

Nothing around me for miles.

Yet the feeling persists.

A feeling of something impossible that cannot be happening.

The certainty that that thing is absolutely happening.

I don’t know what to do.

I don’t know what the hell to do.

No, wait.

I have to get rid of this thing. I have to pick it up and hurl it away and show whatever did this that it is not too late, and I am not afraid.

A shovel. I can get a shovel from the back and scoop this up.

I can dump it in the hole that always stays, the hole that never gets deeper or filled.

Or no, the field!

I look outside.

I will grab the shovel and walk this frog out to the other end of this godforsaken place, and I will leave him.

The owl or any of the other night predators will come along, see the thing, and make a feast of it. All gone.

I will be rid of it.

I march out to the backyard and grab the shovel, bringing it into the kitchen with a clank. I try, without looking, to steer the shovel under the dead frog, again, without looking.

Finally, I succeed. I gently carry the frog in the shovel with the steadiness of a tightrope walker. I walk it gently out the back, over the field, until the house is a tiny doll’s house in the distance.

And here I lay it.

Poor, sweet thing.

This is a kind of declaration of war from . . . an unknown source. A sinister source.

The same source who rearranged all the furniture into balancing puzzle pieces on the back wall and then put them back.

A foe.

An unseen foe.

Undetectable.

But malicious.

A kind of malevolent force.

One that takes glee in my terror.

Chapter 45

That night, the sky decides to rain again, and I find myself in the professor’s fancy bedroom now, trying not to think the unthinkable thought.

But it’s no use. The sound of the rain is there, and it reminds me. The raindrops running in rivulets down the windowpane remind me. I look through them, there behind the velvet curtains, and it could almost be like I am looking through the windshield that night.

I begged him not to drive.

I told him we could wait. Just wait out the storm.

But there was something about him that night, some kind of engine driving him to act in ways he had never acted before.

He was unreasonable. Even surly.

And I told him we should stay.

All we would’ve had to do was stay and none of it would have happened.