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Contents ( 60)
  1. Dedication
  2. Contents
  3. Prologue
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. Chapter 9
  13. Chapter 10
  14. Chapter 11
  15. Chapter 12
  16. Chapter 13
  17. Chapter 14
  18. Chapter 15
  19. Chapter 16
  20. Chapter 17
  21. Chapter 18
  22. Chapter 19
  23. Chapter 20
  24. Chapter 21
  25. Chapter 22
  26. Chapter 23
  27. Chapter 24
  28. Chapter 25
  29. Chapter 26
  30. Chapter 27
  31. Chapter 28
  32. Chapter 29
  33. Chapter 30
  34. Chapter 31
  35. Chapter 32
  36. Chapter 33
  37. Chapter 34
  38. Chapter 35
  39. Chapter 36
  40. Chapter 37
  41. Chapter 38
  42. Chapter 39
  43. Chapter 40
  44. Chapter 41
  45. Chapter 42
  46. Chapter 43
  47. Chapter 44
  48. Chapter 45
  49. Chapter 46
  50. Chapter 47
  51. Chapter 48
  52. Chapter 49
  53. Chapter 50
  54. Chapter 51
  55. Acknowledgments
  56. About the Author
  57. Books by Andrea Portes
  58. Back Ad
  59. Copyright
  60. About the Publisher

The second had only a cloth binding, sun-bleached blue. The pages were yellowed and fragile. Inside was a collection of overheated legends about the town.

A tale about a creature called the squonk dwelling in the pine forest. It reminded me of stories we used to hear in Nebraska about the Alkali Lake Monster. It strikes when least expected! And curiously a lone member of the party survives to tell the tale.

Seriously? If some olde tyme gentlemen wanted to come up with some scary stories to tell ye olde kids in the dark? They should have come up with a better monster name than “squonk.”

Several stories centered around “the Quince House,” which must have once sat somewhere on the outskirts of town. A teacher who bludgeoned his fiancée with a hammer in a jealous rage. A freak fire decades later that killed the house’s inhabitants and a worker. The fire was blamed on heat and dry conditions, but the anonymous author of this volume seemed suspicious. Some very hippy-dippy stuff about bad energy trapped. Malevolent spirits.

Creepy.

Normally, I’d laugh.

I ignore the sensation of something crawling along my spine and consider the cover of a paperback volume titled His Wayward Love. The cover features a man with a white blouse on, wind-whipped as to show his giant muscles, including a six-pack. In front of him, a woman in a lilac princess dress swooning in his arms. The wind was obviously really whipping up in this picture. I guess that was a picture from before his love goes wayward. Maybe it was supposed to be His Windward Love.

I’m very involved in my analysis of that book cover—who posed for it? Did anyone pose for it? Or is it just an illustration? Why is her dress not wind-whipped when his shirt is practically blown off?—when I realize that the sky outside seems to have turned itself from blue to purple. And not a subtle purple . . . the purple of an angry bruise. The kind of sky that, back home, means a tornado.

I turn around, looking back at the town diminishing in the distance. Yes, it’s still there. True. But the clouds above it have turned to a deep, aching purple and the air around me is starting to change. The barometer is dropping. This is one of the things you have to know about if you grew up in Tornado Alley. The feeling before a storm.

A storm, where I come from, could mean a light drizzle, or that the entire side of your house gets ripped off, leaving a painting hanging neatly on one wall while the opposite one has been turned into matchsticks of splintered wood with a tractor-trailer cab stuck in the middle of it. So, of the very few things I know, this is one of them: A storm is coming.

I pick up the pace, not wanting to run, although come to think of it . . . why not run? It’s not like anybody is watching me. And yet I stick to a merely quickened pace.