Contents ( 60)
- Dedication
- Contents
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Acknowledgments
- About the Author
- Books by Andrea Portes
- Back Ad
- Copyright
- About the Publisher
Exhale.
Let’s think about this for a second. In every Law & Order you have ever watched, the murderer panics. This is the moment they start to make all sorts of panicked decisions. This is the moment they screw up.
I will not screw this up.
It was not my fault. Right?
It was self-defense.
The knife is no longer in her hand, but it’s next to her on the landing.
That means . . . there will be fingerprints. That will prove it was self-defense.
Don’t move anything.
Leave it just as it is. Call 911.
That’s it!
Call 911!
You were only defending yourself.
Let the cops come, be honest. Don’t move anything.
I tiptoe backward, searching for my phone, which I always lose, I swear to God. Where is it?
It’s not on the bed, it’s not on the bedside table.
Don’t think about what’s below, just concentrate on the phone, Daffodil.
Maybe it’s in the bathroom, check over there. . . .
No, it’s not in the bathroom, maybe back in the bedroom, maybe it fell on the floor—
Wait.
I catch a glimpse.
Wait.
What the . . . ?
No.
No no no no no.
It can’t be.
It’s out of the corner of my eye that I see it. I want to tell myself it’s not there. I want to try to keep my head on straight. Just fasten it on.
But there it is.
Now I turn.
I turn fully toward it.
I turn fully toward it and it envelops me.
Chapter 26
If you were me, you would be standing at the top of the third-floor landing in a beautiful old house, hyperventilating.
If you were me, you would be looking down at the second-floor landing, where you would be seeing something you could not quite comprehend.
If you were me, you would be, at this moment, convinced that perhaps you had lost your faculties.
Because what is on that landing is much worse than anything you could imagine.
Because what is on that landing is . . .
Nothing.
. . .
There is nothing on that landing now at all.
No crumpled flower fabric, no blood seeping down, no body curled in on itself, no chinoiserie shards, no gleaming butcher knife.
Nothing.
The only thing worse than what was there is now what isn’t there.
Okay, let’s start this again.
Exhale. Three. Two. One.
“Daffodil.” I say my name. Maybe somehow my name can ground me.
I begin to look around and, again, a start, when I see, next to me, on the side table . . . oh please God . . . please God, what is happening . . .
On the side table.
The chinoiserie vase.
Standing upright.
Back in one piece now.
The room is seeming to spin now to dizzying heights as my calming breaths seem not to hold me and my knees decide to buckle.
The floor can be hard or it can be soft—in this moment, it’s nonexistent because everything turns to black before I hit it.