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Contents ( 60)
  1. Dedication
  2. Contents
  3. Prologue
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. Chapter 9
  13. Chapter 10
  14. Chapter 11
  15. Chapter 12
  16. Chapter 13
  17. Chapter 14
  18. Chapter 15
  19. Chapter 16
  20. Chapter 17
  21. Chapter 18
  22. Chapter 19
  23. Chapter 20
  24. Chapter 21
  25. Chapter 22
  26. Chapter 23
  27. Chapter 24
  28. Chapter 25
  29. Chapter 26
  30. Chapter 27
  31. Chapter 28
  32. Chapter 29
  33. Chapter 30
  34. Chapter 31
  35. Chapter 32
  36. Chapter 33
  37. Chapter 34
  38. Chapter 35
  39. Chapter 36
  40. Chapter 37
  41. Chapter 38
  42. Chapter 39
  43. Chapter 40
  44. Chapter 41
  45. Chapter 42
  46. Chapter 43
  47. Chapter 44
  48. Chapter 45
  49. Chapter 46
  50. Chapter 47
  51. Chapter 48
  52. Chapter 49
  53. Chapter 50
  54. Chapter 51
  55. Acknowledgments
  56. About the Author
  57. Books by Andrea Portes
  58. Back Ad
  59. Copyright
  60. About the Publisher

Exhale.

Let’s think about this for a second. In every Law & Order you have ever watched, the murderer panics. This is the moment they start to make all sorts of panicked decisions. This is the moment they screw up.

I will not screw this up.

It was not my fault. Right?

It was self-defense.

The knife is no longer in her hand, but it’s next to her on the landing.

That means . . . there will be fingerprints. That will prove it was self-defense.

Don’t move anything.

Leave it just as it is. Call 911.

That’s it!

Call 911!

You were only defending yourself.

Let the cops come, be honest. Don’t move anything.

I tiptoe backward, searching for my phone, which I always lose, I swear to God. Where is it?

It’s not on the bed, it’s not on the bedside table.

Don’t think about what’s below, just concentrate on the phone, Daffodil.

Maybe it’s in the bathroom, check over there. . . .

No, it’s not in the bathroom, maybe back in the bedroom, maybe it fell on the floor—

Wait.

I catch a glimpse.

Wait.

What the . . . ?

No.

No no no no no.

It can’t be.

It’s out of the corner of my eye that I see it. I want to tell myself it’s not there. I want to try to keep my head on straight. Just fasten it on.

But there it is.

Now I turn.

I turn fully toward it.

I turn fully toward it and it envelops me.

Chapter 26

If you were me, you would be standing at the top of the third-floor landing in a beautiful old house, hyperventilating.

If you were me, you would be looking down at the second-floor landing, where you would be seeing something you could not quite comprehend.

If you were me, you would be, at this moment, convinced that perhaps you had lost your faculties.

Because what is on that landing is much worse than anything you could imagine.

Because what is on that landing is . . .

Nothing.

. . .

There is nothing on that landing now at all.

No crumpled flower fabric, no blood seeping down, no body curled in on itself, no chinoiserie shards, no gleaming butcher knife.

Nothing.

The only thing worse than what was there is now what isn’t there.

Okay, let’s start this again.

Exhale. Three. Two. One.

“Daffodil.” I say my name. Maybe somehow my name can ground me.

I begin to look around and, again, a start, when I see, next to me, on the side table . . . oh please God . . . please God, what is happening . . .

On the side table.

The chinoiserie vase.

Standing upright.

Back in one piece now.

The room is seeming to spin now to dizzying heights as my calming breaths seem not to hold me and my knees decide to buckle.

The floor can be hard or it can be soft—in this moment, it’s nonexistent because everything turns to black before I hit it.