Contents ( 60)
- Dedication
- Contents
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Acknowledgments
- About the Author
- Books by Andrea Portes
- Back Ad
- Copyright
- About the Publisher
Is there some issue with the permits? Is there some issue with the ground? Maybe they accidentally dug into an electrical line? A water pipe? A water vein? What do you even call it? Is there even a way to measure it? To measure their lack of progress? For what? To report back to the professor. Yes, that’s it. I must report their progress.
But then, wait. Am I then a snitch? Am I prepared to be a snitch?
Snitches get stitches.
That’s weird. That just jumped into my head. How do I even know that expression? What am I? A hardened criminal? From C-block? (Whatever that is.)
I’m about to contemplate the intricacies of digging a foundation when—
BANG.
The screen door clanks in its frame from the direction of the pantry, and I feel a sudden draft of air.
I try to regain some sense of composure, but there is Mike, everyguy Mike, standing not two feet away from me. Quite frankly, a little too close. Where the heck did he come from?
I think the rule is . . . you announce yourself. Then, when the other person acknowledges you, you step forward and begin the conversation. This guy is a little too close. This guy is a space invader.
“Oh, hi. Yeah, no, I was just—”
(Spying on your friends.)
(Analyzing your digging progress.)
(Judging your rate of progress.)
“I was just—cleaning the window here.”
He looks at me.
I don’t have a sponge or a rag or nary a paper towel. I don’t have window cleaner, or any kind of cleaner whatsoever in my hand or anywhere near me.
Normal Mike keeps staring at me.
Okay, this is just getting weird now.
Yes, I know I just made up the most ludicrous excuse of all time but, seriously, pipe up, mister!
He stays looking at me, his eyes almost a bit . . . I want to say . . . glassy. Maybe just kind of unfocused. Like he’s looking at me but not looking at me. Almost like he’s looking through me.
I gotta say, Mike is a pretty basic guy and this is definitely not basic behavior. We have left station stop Basic and gone straight to Weirdoville.
“Um . . . Mike?”
He stands there.
“Helloooooo. Anybody home? Mike? Earth to Mike? Come in, Mike?”
And yet nothing.
Alright, folks, now I am officially starting to get freaked out. Before, that was like a minor snafu. But this . . . this is getting a little into dead-eyed White Walker territory.
I take a tentative step backward and the sound of the floorboard, on a scale of one to ten of creaking is probably, I would say, at about a hundred.
CReeeeeEEEEEAAAAK.
Somehow the impossibly loud sound of the floorboards wakes him from his zombie state and he looks around him in confusion. Flustered.
“Um . . . hello? Are you okay? Mike?”
“What? Oh, um . . . I just. Wait. How’d I get in here?”