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Contents ( 146)
  1. CONTENTS
  2. PROLOGUE
  3. 1
  4. TULLY
  5. 2
  6. RACHEL
  7. 3
  8. HEATHER
  9. 4
  10. TULLY
  11. 5
  12. RACHEL
  13. 6
  14. HEATHER
  15. THE WEDDING
  16. 7
  17. TULLY
  18. 8
  19. RACHEL
  20. 9
  21. TULLY
  22. 10
  23. HEATHER
  24. 11
  25. TULLY
  26. 12
  27. RACHEL
  28. 13
  29. HEATHER
  30. 14
  31. TULLY
  32. 15
  33. RACHEL
  34. 16
  35. HEATHER
  36. THE WEDDING
  37. 17
  38. TULLY
  39. 18
  40. RACHEL
  41. 19
  42. HEATHER
  43. 20
  44. RACHEL
  45. 21
  46. TULLY
  47. 22
  48. RACHEL
  49. 23
  50. HEATHER
  51. 24
  52. TULLY
  53. 25
  54. RACHEL
  55. 26
  56. HEATHER
  57. 27
  58. RACHEL
  59. 28
  60. HEATHER
  61. 29
  62. RACHEL
  63. THE WEDDING
  64. 30
  65. HEATHER
  66. 31
  67. TULLY
  68. 32
  69. RACHEL
  70. 33
  71. HEATHER
  72. 34
  73. TULLY
  74. 35
  75. RACHEL
  76. 36
  77. HEATHER
  78. 37
  79. RACHEL
  80. 38
  81. TULLY
  82. 39
  83. RACHEL
  84. 40
  85. TULLY
  86. 41
  87. RACHEL
  88. 42
  89. HEATHER
  90. 43
  91. RACHEL
  92. 44
  93. HEATHER
  94. 45
  95. TULLY
  96. 46
  97. HEATHER
  98. 47
  99. TULLY
  100. 48
  101. HEATHER
  102. 49
  103. RACHEL
  104. 50
  105. HEATHER
  106. 51
  107. TULLY
  108. 52
  109. HEATHER
  110. 53
  111. TULLY
  112. 54
  113. HEATHER
  114. THE WEDDING
  115. 55
  116. TULLY
  117. 56
  118. RACHEL
  119. 57
  120. HEATHER
  121. 58
  122. RACHEL
  123. 59
  124. HEATHER
  125. 60
  126. TULLY
  127. 61
  128. RACHEL
  129. 62
  130. TULLY
  131. 63
  132. HEATHER
  133. AFTER THE WEDDING
  134. FIONA ARTHUR
  135. 64
  136. TULLY
  137. 65
  138. RACHEL
  139. 66
  140. TULLY
  141. 67
  142. HEATHER
  143. EPILOGUE
  144. PAMELA
  145. ACKNOWLEDGEMENTS
  146. MORE BESTSELLING TITLES FROM SALLY HEPWORTH

Rachel opened the door. She felt like the ugliest, most revolting woman alive.

‘Hey, you don’t look sick. You look great!’ He looked at her searchingly. ‘What is it? Headache? Stomach-ache?’

‘All of the above.’

‘You need to get to bed,’ he said, and to his credit there didn’t seem to be any double entendre. ‘Off you go. I’ll grab the cake. Where is it?’

She pointed towards the kitchen. Darcy got as far as the doorway before he stopped short. ‘Uh . . .’

‘Please don’t say anything obvious,’ Rachel said. ‘And if you make a baking joke, so help me.’

To his credit, he didn’t. He took another moment, then asked, ‘And . . . the cake is due at the reception when?’

‘An hour and a half.’

Darcy closed his eyes, his hands steepled over his mouth. After what felt like an eternity, he nodded.

‘I have an idea,’ he said.

19

HEATHER

For most of the time that Heather worked for Stephen and Pam, things between her and Stephen were strictly platonic. She did her job creating the cosy space that was Pamela’s style, and Stephen paid her invoices on time. It was a mutually acceptable arrangement. Or, it would have been, had Heather not been in love with Stephen.

The irony was that one of the reasons Heather fell for Stephen was the way he loved Pam. When they met to talk about plans for the house, he always insisted that she be part of the conversation, making sure she was on board with the plan, even if it took two or three tries to get her to understand. If she got up and went for a wander, he followed her with his eyes and was on his feet in seconds if she put herself in harm’s way – like trying to boil the kettle or walk up the stairs. His patience, it seemed, was endless.

But Pam’s condition deteriorated quickly. Each time Heather came to the house for a meeting, Pam’s eyes were a little duller. She was more confused. Slower to understand. Stephen and Pam had planned to stay in the house during the renovation, but the more Pam started wandering, the more they realised how dangerous this could be. After a few months, Stephen and Pam decided to find a rental property a few streets away, and Heather started seeing Stephen at the house alone for meetings. It was during one of these meetings that Heather arrived at the house to find Stephen balancing on the wooden frame of what would soon be the new oak floorboards of their kitchen, his face wet with tears.

‘I’m sorry,’ she said. ‘Do you want me to come back?’

‘No,’ he said. ‘Come in.’

‘Are you sure?’

He nodded, and she crossed the floor from beam to beam, coming to a stop at the beam beside his. ‘Are you okay?’

He smiled. ‘When my patients ask, Am I going to be okay? I never know what to say. In the odd case I can say, Yes, after the surgery you will be as good as new. But in most cases I can’t say that. I have to give them a long answer, like, We hope that your heart will work as it should for some time to come, but we don’t know how long that will be. And the life that you have known up until now will likely never be the same. There will be daily medication, treatment, lifestyle amendments. As for whether I’m okay, that’s complicated too. I’m already feeling better after having a good cry. But Pam is going to get consistently worse and then she’ll die. We don’t know when that will be, or how it will happen. We’ll never have her the way we used to have her.’ His face tensed with the effort, it seemed, of holding back tears. ‘We made the decision today to move Pam to a nursing home sooner rather than later. Which means she won’t even get to enjoy this bloody renovation, which was all for her.’