Contents ( 61)
- Contents
- I
- Chapter 1
- Chapter 2
- II
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- III
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- IV
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- V
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- VI
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- VII
- Chapter 40
- VIII
- About the Characters
- A Word about Accuracy
- XIII
- XIV
- Reading Group Guide
- A Note of Thanks
- About the Author
My friend, my bonny friend, when we are old,
And hand in hand go tottering down the hill,
May we be rich in love’s refinèd gold,
May love’s gold coin be current with us still.
May love be sweeter for the vanished days,
And your most perfect beauty still as dear
As when your troubled singer stood at gaze
In the dear March of a most sacred year.
May what we are be all we might have been,
And that potential, perfect, O my friend,
And may there still be many sheafs to glean
In our love’s acre, comrade, till the end.
And may we find when ended is the page
Death but a tavern on our pilgrimage.
—John Masefield, “The Word”
I
I was a younger man when I first met her. I should tell you this in fairness, not because the years have dulled my recollection of that moment, for in truth I could still lead you to the spot where I was standing when she looked in my direction. I’ve forgotten many things. That is not one of them. I’m telling you because even the wisest man, when young, is ruled by other things than wisdom when he meets with such a woman. And when I met Lily Aitcheson, I knew I was in trouble.
There are many who believe they know what happened, but they do not know the whole of it. The rumors spread, and grow, and take their hold, and so to end them I have been persuaded now to take my pen in hand and tell the story as it should be told—both in the parts that are my own and in those pieces that were hers, as they were told to me by others and as I came to discover them.
You may ask how closely you can trust my narrative, when I have waited until now to set it down, and when those days must surely seem so distant to me, like a magic lantern show of memories played against the coming darkness. I can only reassure you we kept notes from our inquiries—Gilroy’s and my own—and I have those beside me here now in my study, for my reference.
As to memory, you may understand this better for yourself, when you are old, but there are some corners of the mind imprinted so indelibly with what we have experienced that, long after the less important things have slipped away and we have lost the simple function of recalling where we last set down our spectacles, those deeper memories yet remain. The slightest thing may make them stir—a wafting scent, a few notes of a song half-sung, the darkness of a passing cloud.
Most evenings in my armchair by the fireside, I drift now to those memories and assure you they are every bit as clear as when I lived them.

