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Contents (55)
  1. JENNIFER ARMINTROUT
  2. blood ties book one: the TURNING
  3. Much love and thanks to:
  4. Contents
  5. One
  6. The End
  7. Two
  8. A Few (More) Unpleasant Surprises
  9. Three
  10. The Movement
  11. Four
  12. When Carrie Met Dahlia
  13. Five
  14. Decisions, Decisions
  15. Six
  16. John Doe
  17. Seven
  18. June 23, 1924
  19. Eight
  20. A Bargain
  21. Nine
  22. Antidote
  23. Ten
  24. Sunset
  25. Eleven
  26. A Sleepless Day, An Uncomfortable Night
  27. Twelve
  28. A Gift
  29. Thirteen
  30. Revelations and Recriminations
  31. Fourteen
  32. An Uncomfortable Reunion
  33. Fifteen
  34. Consummation
  35. Sixteen
  36. Best-Laid Plans
  37. Seventeen
  38. Happy New Year
  39. Eighteen
  40. The Soul Eater
  41. Nineteen
  42. The Assassins
  43. Twenty
  44. Transfusion
  45. Twenty-One
  46. Born Again (Not That Way)
  47. Twenty-Two
  48. I Left My Heart in San Francisco
  49. Twenty-Three
  50. Welcome Home
  51. Twenty-Four
  52. (Dis)Closure
  53. Twenty-Five
  54. Something Ever After
  55. Coming Next Month

It was the power that drew me to it. The power of holding a human life in my hands. The power of looking Death in the face and knowing I could defeat him. It was a power reserved for doctors and God.

I’d pictured myself a modern-day Merlin, a scalpel for a wand, a clipboard my book of spells. I cringed at the ridiculous thought.

I could have changed into my street clothes, slunk out of the hospital and never come back. But then I thought of my dead father and remembered one of the rare pieces of paternal advice I’d ever received from him.

“If you’re afraid of something, face it. Fear is irrational. The only way to conquer your fear is to put yourself next to it.”

Just as quickly as it had come, my self-doubt subsided. This was a test of faith in myself. I wasn’t going to fail.

I got onto my feet and made my way through the packed E.R., blind and deaf to my coworkers and the patients that crowded the cubicles around me. I left the emergency and trauma ward altogether, pushing through the doors that led into the central part of the hospital.

The offices I passed were closed, their windows dark. The main lobby was empty, with the exception of one custodian who leaned on the deserted information desk, idly reading an old newspaper while his cleaning cart sat neglected in the middle of the room. He barely glanced up as I elbowed the cart in my reckless flight and knocked a stack of paper towels to the floor.

I continued to the elevators, pressed the button impatiently and tapped my foot. After what seemed like an interminably long time, the dull metal doors slid open and I entered. I pushed the button for the basement.

An irrational determination took me down the long hallway to the morgue. I had only been through there once, during my orientation tour. It was a simple route, though, and I located the unlabeled door again without much difficulty. I ran my hospital ID through the badge reader and heard the sharp click of the releasing lock.

I grabbed the handle and stopped, wondering for the first time what I intended to prove to myself. I feared I was a bad doctor, and I had come to confront my fears and view John Doe in all his mangled glory. What if I couldn’t handle it?

Terror gripped me at the thought that his body might not be as damaged as I remembered. I recalled Amy Anderson’s horrified face as she’d held the wriggling earthworm in her palm, her fear making the harmless thing a monster. Had my panicked brain exaggerated John Doe’s wounds?

No, you weren’t hysterical. You know what you saw. I entered the cool, antiseptic room before I could change my mind.

Hospital morgues are much different from morgues in the movies. They aren’t cavernous spaces with stark lighting. In fact, the morgue at St. Mary’s was small and cluttered. The on-duty attendant had left a rumpled fast-food sack on the desk, a reassuring sign of life in a room devoted to the indignities of death.