Chapters (45)
- TITLE PAGE
- ABOUT THE AUTHOR
- PART ONE: Who is She if Not Everyone Else’s?
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- PART TWO: Take the Bullet Out
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- PART THREE: Orion Waves
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- ACKNOWLEDGEMENTS
- AUTHOR INTERVIEW
- COPYRIGHT
‘How is this supposed to work?’ Ellis asks once we approach Lenore’s street, Rockglenn. ‘Is this like a good cop, bad cop kind of thing?’
‘Why, change of heart? You wanna be bad cop?’ I say, laughing a little at the thought of soft-spoken Ellis slapping his hands down on an interrogation table.
‘D-definitely not.’
‘Don’t worry. I’ll do the talking. I need you to listen for important information that I might miss as someone who’s not from here.’
‘OK.’ Ellis nods vigorously. ‘That makes sense. B-b-but what if she doesn’t want to talk about it at all? Then what do we do next?’
‘We’ll get there when we get there,’ I say, trancelike. I turn to meet his gaze; there’s a mayfly on his shoulder. I peel it off by its wings. ‘Those fuckers only have a lifespan of five minutes, did you know that? And each one dedicates its impossibly short life to being as irritating as possible.’ Just like you, I imagine Peyton saying. I strip away the thought.
‘Mona, what if she’s not even home?’
‘You’re right. Let’s leave.’
Ellis turns to me with a wry smile. I plough into him with my shoulder.
‘Is that what you want me to say?’ I ask.
‘No.’
‘Then what do these anxiety-ridden questions even accomplish, huh?’
‘Force of habit.’
‘Break it. We’ll get there – when we get there. If she doesn’t want to talk, we’ll figure something out. If she’s not here, we’ll come back.’
‘Oh. I think this is it,’ Ellis says.
It’s a small house that evokes the aesthetic of a barn – bright red with a sloped roof and an ill-fitting conservatory addition, framed with thin white netting. It looks like it might crumple under a strong breeze. We stomp up the depressed wooden steps and swing open the first screen door, which is unlocked and about as heavy as a breath. It groans when it opens. A copper sun hangs on one side of it, a moon on the other. A windchime sings. I’m not nervous. I largely feel nothing when I ring the doorbell, and only a slight leap of surprise when the door swings open to reveal a woman.
She’s in her late fifties, maybe, and she’s wearing this corduroy two-piece suit despite the heat, curly black hair on the top of her head, black make-up that has smudged slightly round her eyes. Her skin is a warm brown, barely shiny. The artificial pink of her lips cracks when she purses them. ‘Oh. Hello. Can I help you?’
‘Are you Lenore?’
She blinks. ‘Yes, I am.’
I figure an upfront approach will work best. ‘We wanted to talk to you about Roxy Raines. Did you know her?’