Back The Things We Don't See
Chapters (45)
  1. TITLE PAGE
  2. ABOUT THE AUTHOR
  3. PART ONE: Who is She if Not Everyone Else’s?
  4. CHAPTER 1
  5. CHAPTER 2
  6. CHAPTER 3
  7. CHAPTER 4
  8. CHAPTER 5
  9. CHAPTER 6
  10. CHAPTER 7
  11. CHAPTER 8
  12. PART TWO: Take the Bullet Out
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. PART THREE: Orion Waves
  34. CHAPTER 29
  35. CHAPTER 30
  36. CHAPTER 31
  37. CHAPTER 32
  38. CHAPTER 33
  39. CHAPTER 34
  40. CHAPTER 35
  41. CHAPTER 36
  42. CHAPTER 37
  43. ACKNOWLEDGEMENTS
  44. AUTHOR INTERVIEW
  45. COPYRIGHT

‘Ellis,’ I say, ‘why would Mary Anne have an old car key tucked in the back of her desk drawer?’

‘Oh my God. This looks like –’

‘Say it.’

‘The key to Roxy’s Camaro.’

‘Her motherfucking Camaro,’ I repeat. ‘It could be a spare. But –’ I remember something else. ‘The letters. The note in the car and the one sent to your mom. Didn’t Lenore say Mary Anne was severely dyslexic?’

‘Oh God. Oh my God.’

My brain is collapsing. I’m functioning on autopilot. I’m not choosing to think – my thoughts have left Mona somewhere else, too fast, somewhere along the shore. ‘So Mary Anne left the note in the car,’ I say. ‘But why? Why would she have done that? Roxy said something to Mary Anne that made even Archie angry. But what was the row about? Maybe Archie gets all riled up, shoots Roxy. It’s an accident. Obviously Archie would want to keep that quiet – but why would Booker?’

‘I – don’t know. I don’t know. He must have done something bad himself.’

‘And then why would Mary Anne write the note? She wanted to get rid of Roxy? Or cover up for the two of them?’

But Roxy was supposed to leave for Nashville the following week. She was already going. It doesn’t make any sense.

‘We need to talk to Mary Anne.’ I slump against the wall. ‘I don’t know what to do. I don’t understand. I’m missing something. And Baby Blue …’

‘We should go home, Mona,’ Ellis says, finally.

I don’t know why, but at first I think when he says home he’s telling me to go back to Indiana.

He’s not wrong. We should get some sleep.

Before we say goodbye at our classic breakoff point at the isthmus, Ellis stops. ‘Did you mean what you said?’ he asks. ‘About me not needing to be there?’ The words are so vulnerable they’re practically flayed.

‘No, Ellis, of course not. I’m sorry. I snap when I’m nervous. You’re so incredibly important. I mean it. Please believe me.’

His half-smile is the saddest thing I’ve ever seen.

I hug him for eleven heartbeats. He’s the one to break it. ‘Night,’ he says finally.

On the dark walk back to the dorm I remember I’d told Ellis I wouldn’t let anything bad happen to him, even though I keep happening to him, over and over and over.

‘There’s a bunch of cops outside The Island Spot.’