Back The Silver Pigs Save as PDF
Chapters (80)
  1. Cover
  2. RAVES FOR LINDSEY DAVIS AND THE MARCUS DIDIUS FALCO SERIES
  3. THE FALCO SERIES BY LINDSEY DAVIS
  4. THE SILVER PIGS
  5. Dedication
  6. DRAMATIS
  7. PERSONAE
  8. CONTENTS
  9. AUTHOR’S INTRODUCTION
  10. AUTHOR’S INTRODUCTION TO NEW AMERICAN EDITION
  11. PART I
  12. I
  13. II
  14. III
  15. IV
  16. V
  17. VI
  18. VII
  19. VIII
  20. IX
  21. X
  22. XI
  23. XII
  24. XIII
  25. XIV
  26. XV
  27. XVI
  28. XVII
  29. XVIII
  30. XIX
  31. PART II
  32. XX
  33. XXI
  34. XXII
  35. XXIII
  36. XXIV
  37. XXV
  38. XXVI
  39. XXVII
  40. XXVIII
  41. XXIX
  42. XXX
  43. XXXI
  44. XXXII
  45. XXXIII
  46. XXXIV
  47. XXXV
  48. XXXVI
  49. XXXVII
  50. PART III
  51. XXXVIII
  52. XXXIX
  53. XL
  54. XLI
  55. XLII
  56. XLIII
  57. XLIV
  58. XLV
  59. XLVI
  60. XLVII
  61. XLVIII
  62. XLIX
  63. L
  64. LI
  65. LII
  66. LIII
  67. LIV
  68. LV
  69. LVI
  70. LVII
  71. LVIII
  72. LIX
  73. LX
  74. LXI
  75. LXII
  76. LXIII
  77. LXIV
  78. LXV
  79. LXVI
  80. Copyright

And it was a long day. After heralding by the trumpets, we had the spoils of war. Titus was right, nothing like it had ever been seen anywhere in the world. It was a year since Vespasian seized the throne, six months since he came home himself. Plenty of time for the Palace to organize a spectacle, and they had. For hour after hour we were treated to representations of Vespasian’s Judaean campaign: deserts and rivers, captured towns and blazing villages, armies wheeling over baking plains, siege engines invented by Vespasian himself—all teetering by in vivid tableaux on floats that towered three-or four-storeys high. Then, amid the aching creak of solid drumwheels and the smell of newly painted canvas as it cracked in the sun, stages with painted oars on their skirts blundered and dipped through the streets like high crested sailing ships. I liked the ships best; sailing on dry land seemed perfect to me.

On it went. Row after row of bearers in crimson uniforms and laurel wreaths marched through the city from the Plain of Mars, past the theatres where crowds crammed the outer walls, through the Cattle Market, round the Circus, up between the Palatine and the Caelian, then on into the Forum by the Sacred Way. They brought banners and hangings in rich Babylonian stuffs, painted by fine artists or encrusted with jewelled embroidery. Swaying on palanquins, statues of the city’s most cherished gods were carried by in festive dress. And flaunted in such quantities that it became almost meaningless, came treasure by the ton: not only the rich gold and jewellery excavated from the rubble of devastated Jerusalem, but priceless marvels extracted with steely diplomacy at Vespasian’s command from cities in the wealthiest corners of the world. Loose gemstones were tumbled in mounds on litters just as they came, as if all the mines of India had hiccupped overnight: onyx and sardonyx, amethysts and agate, emeralds, jasper, jacinth, sapphires and lapis lazuli. Then followed, on stretchers in casual heaps, the gold crowns of conquest, diadems spiked like glittering sunbursts, coronets set with monstrous rubies and great sea pearls. After that more gold, until the streets flickered with the glow of it as the molten tide flowed on towards the Capitol in one slow, swollen meander of heroic extravagance.

I remember that towards the afternoon the noise dimmed—not because the crowds were hoarse (though they were) or losing interest (they were not), but as if folk could no longer contemplate this lavish show of Empire with the simple exuberance that first brought them to cheer. Applause no longer seemed enough. At the same time, the endless marching feet pressed past with increased pride at the climax of this, the main part of the procession: the treasures from the sacred Temple at Jerusalem—the strange seven-branched candelabrum, a golden table weighing several hundredweight, and the Five Scrolls of the Jewish law.