Back The Serpents of Paradise Save as PDF
Contents ( 49)
  1. Contents
  2. Editor’s Note
  3. I
  4. Ned: The Early Years
  5. 1927–37: Stump Creek, West Virginia
  6. Hallelujah on the Bum
  7. How It Was
  8. Drunk in the Afternoon
  9. Journal IV
  10. II
  11. Ed: The Early Years
  12. From The Fool’s Progress
  13. From The Brave Cowboy
  14. Manhattan Twilight, Hoboken Night
  15. Author’s Introduction to Desert Solitaire
  16. The First Morning
  17. The Serpents of Paradise
  18. Polemic: Industrial Tourism and the National Parks
  19. Tukuhnikivats, the Island in the Desert
  20. Appalachian Pictures
  21. Appalachia, Good-bye
  22. My Life as a P.I.G., or The True Adventures of Smokey the Cop
  23. III
  24. Ed Moves On
  25. From Black Sun
  26. 1971–77: Henry in Love—An Interlude
  27. The Wooden Shoe Conspiracy
  28. The Raid at Comb Wash
  29. Death Valley Junk
  30. Meeting the Bear
  31. Aravaipa Canyon
  32. IV
  33. Postlude
  34. A Colorado River Journal
  35. From Good News
  36. Desert Images
  37. The Damnation of a Canyon
  38. Gather at the River
  39. River Solitaire
  40. Free Speech
  41. Theory of Anarchy
  42. Eco-Defense
  43. A Writer’s Credo
  44. Immigration and Liberal Taboos
  45. Abbey The Fool’s Progress
  46. Postlude
  47. A Few Words in Memory of Edward Abbey
  48. A Selected Bibliography of Works by Edward Abbey
  49. Acknowledgments

“They’re both good boys. And yes, you’re right—Will is more like your family. And please don’t cut down our old tree. That tree is…part of the family. That tree looks like I feel, sometimes.”

“It’s old, Lorrie. Bark’s full of beetles. It’s fallin’ apart. It’s a danger. One of them widow-makers falls on a kid someday, then you’ll be sorry. Ain’t I right? What’s more there’s near as much brains in my side of the family as ever there was in yours. Just because we hain’t throwed off any bank clerks or schoolteachers yet don’t mean the Lightcaps ain’t as smart as anybody. Smarter’n most. Like my Daddy used to say, one man’s as good as the next—if not a damn sight better.”

“All right, Joe, all right. They’re both good boys. All I meant was Henry is—quicker.”

“You mean smarter. Maybe he is. But Will is doggeder. I mean that Will is a dogged son of a gun. I like that in a boy, that doggone doggedness. He lends a hand, grabs a root and hangs on. Like a badger. I sure do like that in a boy.”

“All right, Joe, you’re right. They’re both ours.”

“You mean shut up and go to sleep.”

“That’s not what I meant.”

“Goddamnit, Lorrie—” Joe felt his black temper rise, instantly. He choked it off, changed the subject. “Should cut that tree down.” The autumn wind brushed the shoulders of the farmhouse, prying at the clapboards, lifting at the eaves, trying the asphalt shingling on the roof; the wind pushed the big limb of the hemlock back and forth, bumping on the outer wall.

“I love that tree,” she said. “I love the sound of it touching the house. Please don’t cut it down.”

“Okay, honey. Just that big limb. I’ll leave the tree stand.” His huge rough hand caressed her bare shoulder. “Just for you, Lorrie.”

“Joe, please…” For he was turning upon her now, his powerful arms pinning her down, one hard thigh sprawled across her legs. “I’m not ready…” she said.

“We never was,” he said.

I CAN SEE HER, my five-foot four-inch one-hundred-pound mother, walking up the road under the autumn arcade of flaming sugar maple trees. She walks fast, briskly, with big strides for so small a body, head high and eyes up as she watches the blaze of October colors. She carries a light willow stick and swings it like a boy. She wears an old sweater, darned and patched, a man’s sweater that comes below her hips, an ankle-length homemade dress, a red bandana tied around her head.

She was a beautiful woman despite four babies and two miscarriages in the space of ten years (those ravished years of her youth); she had fine flaxen hair that fell to the small of her back when she let it down; we loved to watch as she washed her hair. She had bright hazel eyes, widely spaced—sign of intelligence—a thin fragile-looking little hen’s beak of a nose and a narrow but expressive mouth trembling most of the time on the verge of laughter. Or of grief.