Contents ( 49)
- Contents
- Editor’s Note
- I
- Ned: The Early Years
- 1927–37: Stump Creek, West Virginia
- Hallelujah on the Bum
- How It Was
- Drunk in the Afternoon
- Journal IV
- II
- Ed: The Early Years
- From The Fool’s Progress
- From The Brave Cowboy
- Manhattan Twilight, Hoboken Night
- Author’s Introduction to Desert Solitaire
- The First Morning
- The Serpents of Paradise
- Polemic: Industrial Tourism and the National Parks
- Tukuhnikivats, the Island in the Desert
- Appalachian Pictures
- Appalachia, Good-bye
- My Life as a P.I.G., or The True Adventures of Smokey the Cop
- III
- Ed Moves On
- From Black Sun
- 1971–77: Henry in Love—An Interlude
- The Wooden Shoe Conspiracy
- The Raid at Comb Wash
- Death Valley Junk
- Meeting the Bear
- Aravaipa Canyon
- IV
- Postlude
- A Colorado River Journal
- From Good News
- Desert Images
- The Damnation of a Canyon
- Gather at the River
- River Solitaire
- Free Speech
- Theory of Anarchy
- Eco-Defense
- A Writer’s Credo
- Immigration and Liberal Taboos
- Abbey The Fool’s Progress
- Postlude
- A Few Words in Memory of Edward Abbey
- A Selected Bibliography of Works by Edward Abbey
- Acknowledgments
A near-silent world: he heard nothing but his own breathing, the faint scrape of his boots on stone and gravel, the whispering boughs of the juniper, the rattle of the oak, the vague, distant and intermittent whistle, like a bad flute, of a mourning dove. Over everything, stone and plant and animal, over the canyon wall, over the face of the mountain far above, the sun radiated its patina of warm, rye-golden, evening light.
Burns felt eager, hungry, intensely aware of every shade, sound, smell and movement in his environment; a keen convergence of his powers and intentions made each step seem vital, made the actions of his limbs consensual with the purpose in his mind. For the first time in nearly two days and nights he felt himself to be a whole and living creature, a man again and not a derelict stumbling through a mechanical world he could not understand.
Something burst into action above him, on his right; he glanced up and saw the blurred gray rump of a jackrabbit bounding over a log to crash and disappear into the snapping brush beyond.
He moved on, crouching a little as he advanced from tree to tree, circling around open areas where the cover was too meagre, making good time on occasional stretches of almost level ground where piñon trees had forced out the juniper and scrub oak. He had gained rapidly on the deer, though they were still out of range, perhaps three hundred yards away. So long as they continued to move he could not hope to get much closer without attracting their attention; only when they stopped would he have time for the slow, painstaking stealth of a stalking approach.
The ground tilted more steeply under his feet as the slope began to merge with the nearly perpendicular wall of the canyon. He had to angle downwards now, toward the rock ledges and sand floor of the canyon. As he worked his way down, going slow and carefully, he watched the deer: they had a similar choice to make—climbing back and up over the crest of the ridge or descending into the canyon. They chose to go down—and Burns smiled gratefully.
But he had another worry: light and time. He knew by the amber richness of the light that the sun was low in its arc; he looked back once to the west and saw the sun was low in its arc; he looked back once to the west and saw the sun about to fall into the crater of a volcano, separated from the black horizon by only a sliver of yellow sky. The river and the city—what he could see of its northern extension—were already caught in a shadow that was now sweeping on a broad front across the mesa, toward him and the shining mountain. While he watched the sun dropped lower, suddenly, like the twitching of the hour hand on a big clock, and the silhouette of the volcano cut a chunk from its blinding gold disc.