Contents ( 49)
- Contents
- Editor’s Note
- I
- Ned: The Early Years
- 1927–37: Stump Creek, West Virginia
- Hallelujah on the Bum
- How It Was
- Drunk in the Afternoon
- Journal IV
- II
- Ed: The Early Years
- From The Fool’s Progress
- From The Brave Cowboy
- Manhattan Twilight, Hoboken Night
- Author’s Introduction to Desert Solitaire
- The First Morning
- The Serpents of Paradise
- Polemic: Industrial Tourism and the National Parks
- Tukuhnikivats, the Island in the Desert
- Appalachian Pictures
- Appalachia, Good-bye
- My Life as a P.I.G., or The True Adventures of Smokey the Cop
- III
- Ed Moves On
- From Black Sun
- 1971–77: Henry in Love—An Interlude
- The Wooden Shoe Conspiracy
- The Raid at Comb Wash
- Death Valley Junk
- Meeting the Bear
- Aravaipa Canyon
- IV
- Postlude
- A Colorado River Journal
- From Good News
- Desert Images
- The Damnation of a Canyon
- Gather at the River
- River Solitaire
- Free Speech
- Theory of Anarchy
- Eco-Defense
- A Writer’s Credo
- Immigration and Liberal Taboos
- Abbey The Fool’s Progress
- Postlude
- A Few Words in Memory of Edward Abbey
- A Selected Bibliography of Works by Edward Abbey
- Acknowledgments
Something woke him: partly the change in temperature, partly the sensation of time elapsed and lost, partly fear—he heard something which was not a normal element in the auditor) 7 character of the arroyo—the birdcries, the leaves, the insects, the movements and feeding of his horse, the sound of his own breathing. He opened his eyes and reached cautiously for his rifle at the same time; however, he did not immediately pull the rifle from its case—when his groping fingers contacted the cool metal and smooth walnut of butt and stock he was satisfied and let his hand rest there. Rolling over on one side but not getting up, he concentrated his energies on an intensive inspection of the visible and audible world around him.
Three Virginia deer stood at the head of the arroyo. At first he did not see them; uncertain as to where the sound had come from, he looked west, down the arroyo and toward the dirt road that ran north and south, paralleling the mountains; then swung his gaze around in a slow half-circle—southwest, across the arroyo and toward the city, south, past the old ruin and along the base of the foothills, southeast, where the great looming wall of the canyon blocked his vision at once, and at last up the slope, eastward, up into the arroyo past the cottonwoods and the spring and the tiers of eroded rock to the little saddle in the ridge that separated the arroyo from the main canyon. And there, among the junipers and cactus and boulders, he spotted the three motionless deer.
Three does, less than fifty yards away, looking as insubstantial and ephemeral as shadows, suggesting even in their alert stillness the grace and silence of flight;—Burns stared at them and suddenly realized that they had not seen him—they were watching the horse below the spring. He tightened his grip on the butt of the rifle and slowly, with patience and extreme care, drew it from the scabbard and passed it under his chest and into the crook of his left arm. Now he had to lever a cartridge from the magazine into the firing chamber, an operation that could not be performed without a minimal clicking and mesh of metal parts. Of course the deer heard the noise: their ears stiffened and their heads swung slightly, in perfect unison, toward the man. But Burns was already in position, taking a bead on the foremost of the three, aiming at a certain vital point on the withers, just under the skin, where the spinal column became part of the neck. A difficult target, even at that range: if he hit too low he would destroy good meat and perhaps only cripple the animal; if he fired an inch too high he would miss. Therefore he did not hurry but waited for a perfect alignment of notched rear sight, beaded front sight, and the invisible nexus of nerves on the crest of the doe. When it came he settled into it, holding his breath easily, and began very slowly to squeeze the trigger.