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Contents ( 49)
  1. Contents
  2. Editor’s Note
  3. I
  4. Ned: The Early Years
  5. 1927–37: Stump Creek, West Virginia
  6. Hallelujah on the Bum
  7. How It Was
  8. Drunk in the Afternoon
  9. Journal IV
  10. II
  11. Ed: The Early Years
  12. From The Fool’s Progress
  13. From The Brave Cowboy
  14. Manhattan Twilight, Hoboken Night
  15. Author’s Introduction to Desert Solitaire
  16. The First Morning
  17. The Serpents of Paradise
  18. Polemic: Industrial Tourism and the National Parks
  19. Tukuhnikivats, the Island in the Desert
  20. Appalachian Pictures
  21. Appalachia, Good-bye
  22. My Life as a P.I.G., or The True Adventures of Smokey the Cop
  23. III
  24. Ed Moves On
  25. From Black Sun
  26. 1971–77: Henry in Love—An Interlude
  27. The Wooden Shoe Conspiracy
  28. The Raid at Comb Wash
  29. Death Valley Junk
  30. Meeting the Bear
  31. Aravaipa Canyon
  32. IV
  33. Postlude
  34. A Colorado River Journal
  35. From Good News
  36. Desert Images
  37. The Damnation of a Canyon
  38. Gather at the River
  39. River Solitaire
  40. Free Speech
  41. Theory of Anarchy
  42. Eco-Defense
  43. A Writer’s Credo
  44. Immigration and Liberal Taboos
  45. Abbey The Fool’s Progress
  46. Postlude
  47. A Few Words in Memory of Edward Abbey
  48. A Selected Bibliography of Works by Edward Abbey
  49. Acknowledgments

Training time. Hands cupped and close, one little opening between thumbs, shape the lips, blow. Blow from the belly, down deep; the call will float through canyons, across mountainsides, all the way down in the valley. Hayduke showed Dr. Sarvis; Smith showed Abbzug, personally, holding her hands in the necessary way, blowing into them, letting her blow into his. She picked it up quickly, the doctor not so fast. They rehearsed the signals. For a while the twilight seemed full of great horned owls, talking. Finally they were ready. Hayduke returned to his checklist.

“Okay, gloves, hats, wire cutters, signals, Now: Karo syrup, four quarts each. Matches. Flashlights—be careful with those: keep the light close to your work, don’t swing it around, shut it off when you’re moving. Maybe we should work out light signals? Naw, later. Water. Jerky. Hammer, screwdriver, cold chisel—okay, I got them. What else?”

“We’re all set,” Smith said. “Let’s get a move on.”

They shouldered their packs. Hayduke’s pack, with most of the hardware in it, weighed twice as much as anyone else’s. He didn’t care. Seldom Seen Smith led the way through the sundown gloom. The others followed in single file, Hayduke at the rear. There was no trail, no path. Smith picked the most economic route among the scrubby trees, around the bayonet leaves of the yucca and the very hairy prickly pear, across the little sandy washes below the crest of the ridge. As much as possible he led them on the rock, leaving no tracks.

They were headed south by the stars, south by the evening breeze, toward a rising Scorpio sprawled out fourteen galactic worlds wide across the southern sky. Owls hooted from the pygmy forest. The saboteurs hooted back.

Smith circumvented an anthill, a huge symmetric arcologium of sand surrounded by a circular area denuded of any vestige of vegetation. The dome home of the harvester ants. Smith went around and so did Bonnie but Doc stumbled straight into it, stirring up the formicary. The big red ants swarmed out looking for trouble; one of them bit Doc on the calf. He stopped, turned and dismantled the anthill with a series of vigorous kicks.

“Thus I refute R. Buckminster Fuller,” he growled. “Thus do I refute Paolo Soleri, B. F. Skinner and the late Walter Gropius.”

“How late was he?” Smith asked.

“Doc hates ants,” Bonnie explained. “And they hate him.”

“The anthill,” said Doc, “is sign, symbol and symptom of what we are about out here, stumbling through the gloaming like so many stumblebums. I mean it is the model in microcosm of what we must find a way to oppose and halt. The anthill, like the Fullerian foam fungus, is the mark of social disease. Anthills abound where overgrazing prevails. The plastic dome follows the plague of runaway industrialism, prefigures technological tyranny and reveals the true quality of our lives, which sinks in inverse ratio to the growth of the Gross National Product. End of mini-lecture by Dr. Sarvis.”