Contents ( 49)
- Contents
- Editor’s Note
- I
- Ned: The Early Years
- 1927–37: Stump Creek, West Virginia
- Hallelujah on the Bum
- How It Was
- Drunk in the Afternoon
- Journal IV
- II
- Ed: The Early Years
- From The Fool’s Progress
- From The Brave Cowboy
- Manhattan Twilight, Hoboken Night
- Author’s Introduction to Desert Solitaire
- The First Morning
- The Serpents of Paradise
- Polemic: Industrial Tourism and the National Parks
- Tukuhnikivats, the Island in the Desert
- Appalachian Pictures
- Appalachia, Good-bye
- My Life as a P.I.G., or The True Adventures of Smokey the Cop
- III
- Ed Moves On
- From Black Sun
- 1971–77: Henry in Love—An Interlude
- The Wooden Shoe Conspiracy
- The Raid at Comb Wash
- Death Valley Junk
- Meeting the Bear
- Aravaipa Canyon
- IV
- Postlude
- A Colorado River Journal
- From Good News
- Desert Images
- The Damnation of a Canyon
- Gather at the River
- River Solitaire
- Free Speech
- Theory of Anarchy
- Eco-Defense
- A Writer’s Credo
- Immigration and Liberal Taboos
- Abbey The Fool’s Progress
- Postlude
- A Few Words in Memory of Edward Abbey
- A Selected Bibliography of Works by Edward Abbey
- Acknowledgments
Seldom Seen Smith as usual was fondling memories. He remembered the real Colorado, before damnation, when the river flowed unchained and unchanneled in the joyous floods of May and June, swollen with snow melt. Boulders crunching and clacking and grumbling, tumbling along on the river’s bedrock bed, the noise like that of grinding molars in a giant jaw. That was a river.
Still, even so, not all was lost. The beaded light of afternoon slanted down beyond the canyon walls, whiskey-gold on rock and tree, a silent benison from the flawless sky, free from your friendly solar system. Cut off, then reappearing, the pale elided wafer of the new moon followed after. A good spirit, a faery queen, watching over them.
Again the white roar. Another rapids coming. Smith gave the order to fasten life jackets. They turned another corner. The noise swelled alarmingly, and down the canyon where all now stared they saw rocks like teeth rising through a white rim of foam. The river apparently went underground at that point; from boat level nothing of it could be seen beyond the rapids.
“Badger Crick Rapids,” Smith announced. Again he stood up. Grade 3, nothing serious. All the same he wanted a good look before diving in. He stood and read the river as others might read the symbols on a score, the blips on a radarscope, or signs of coming weather in cloud formations far away. He looked for the fat swell that meant hidden fang of stone, the choppy stretch of wavelets signifying rocks and shallow water, the shadow on the river that told of a gravel bar six inches under the surface, the hook and snag of submerged logs that could gash the bottom of his rubber boats. He followed with his eye the flecks of foam gliding steadily down the mainstream, the almost invisible ripples and eddies on the river’s flanks.
Smith read the river, the ladies reading him. He was not aware of how comic and heroic he looked, the Colorado man, long and lean and brown as the river used to be, leaning forward on his oar, squinting into the sun, the strong and uncorrupted teeth shining in the customary grin, the macho bulge at the fly of his ancient Levi’s, the big ears out and alert. Rapids closing in.
“Everybody down,” Smith orders. “Grab rope.”
In a frantic clamor of tumbled water, the mass of the river crashes upon the rubble of rock fanning out from the mouth of a side canyon—Badger. The deep and toneless vibration all around, a mist of spray floating on the air, little rainbows suspended in the sunlight.
Again they swing the craft about. Smith heaves mightily on his oar, taking the bow, and steers the boat straight onto the tongue of the rapids, the oilsmooth surge of the main current pouring like a torrent into the heart of the uproar. No need to cheat on this, a minor rapid; he’ll give his customers a thrill, their money’s worth, what they paid for.