By the middle of January, Gabriel was strong enough to leave his bed. The doctor came round again and, after poking and prodding at his neck, decided it had healed sufficiently to remove the brace. Eager to shut out the unpleasant events swirling around him, he focused solely on plans for the wedding. He sat for hours with Chiara in the living room, leafing through glossy bridal magazines and engaged in deep and meaningful discussions about matters such as food and flowers. They chose a date in mid-May and prepared a provisional guest list, which included seven hundred names. After two hours of hard bargaining, they managed to pare only twenty of them. A week later, when the bruising in his face finally dissipated to an acceptable level, they ventured out into Jerusalem together to inspect hotel ballrooms and other potential sites for the ceremony and reception. The special events coordinator at the King David Hotel, after inquiring about the size of the guest list, jokingly insisted they consider holding the wedding at Teddy Kollek Stadium instead, a suggestion Chiara did not find at all amusing. She sulked during the short drive back to Narkiss Street.

“Maybe this is a mistake,” said Gabriel carefully.

“Here we go again,” she replied.

“Not the wedding—only the size of the wedding. Maybe we should have something small and private. Family and friends. Real friends.”

She exhaled heavily. “Nothing would make me happier.”

By early February he felt a strong desire to work. He left Narkiss Street at ten o’clock one morning and drove up to the Israel Museum to see if there was anything lying about that might occupy his time. After a brief meeting with the head of the European paintings division, he left with a lovely panel by Rembrandt, appropriately called St. Peter in Prison. The panel was structurally sound and required only a clean coat of varnish and a bit of inpainting. He set up shop in the spare bedroom of the apartment, but Chiara complained about the stench of his solvents and pleaded with him to move his operations to a proper studio. He found one, in the artists’ colony overlooking the Valley of Hinnom, and began working there the following week.