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Chapters (71)
  1. PART O NE DEATH OF A PROPHET
  2. Chapter 1
  3. Chapter 2
  4. Chapter 3
  5. Chapter 4
  6. Chapter 5
  7. Chapter 6
  8. Chapter 7
  9. Chapter 8
  10. Chapter 9
  11. Chapter 10
  12. PART T WO THE LAND OF STRANGERS
  13. Chapter 11
  14. Chapter 12
  15. Chapter 13
  16. Chapter 14
  17. Chapter 15
  18. Chapter 16
  19. Chapter 17
  20. Chapter 18
  21. Chapter 19
  22. Chapter 20
  23. Chapter 21
  24. Chapter 22
  25. Chapter 23
  26. Chapter 24
  27. PART T HREE THE SACRIFICE OF ISAAC
  28. Chapter 25
  29. Chapter 26
  30. Chapter 27
  31. Chapter 28
  32. Chapter 29
  33. Chapter 30
  34. Chapter 31
  35. Chapter 32
  36. Chapter 33
  37. Chapter 34
  38. Chapter 35
  39. Chapter 36
  40. Chapter 37
  41. Chapter 38
  42. Chapter 39
  43. Chapter 40
  44. Chapter 41
  45. Chapter 42
  46. PART F OUR THE BRIDGE OVER JAHANNAM
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. PART F IVE A WEDDING BY THE LAKE
  65. Chapter 60
  66. Chapter 61
  67. Chapter 62
  68. Chapter 63
  69. Chapter 64
  70. A UTHOR’S N OTE
  71. A CKNOWLEDGMENTS

He was lost in a gallery of memory hung with portraits of the dead. They spoke to him as he drifted slowly past—Zwaiter and Hamidi; the brothers al-Hourani; Sabri and Khaled al-Khalifa, father and son of terror. They welcomed him to the land of martyrs and celebrated his death with sweets and song. At the end of the gallery, a bloodless boy with bullet holes in his face guided Gabriel through the doors of a church in Venice. The nave was hung with a cycle of paintings depicting scenes from his life and above the main altar was an unfinished canvas, clearly painted by the hand of Bellini, portraying Gabriel’s death. The master himself was standing in the sanctuary. He took Gabriel by the hand and led him into a garden in Jerusalem, where a woman scarred by fire sat in the shade of an olive tree with a cherubic boy on her lap. Look at the snow, the woman was saying to the child. The snow absolves Vienna of its sins. The snow falls on Vienna while the missiles rain on Tel Aviv. He heard someone calling his name. He went into the church but found it empty. When he returned to the garden, the woman and the boy were gone.

When finally he woke, it was with the sensation that he had drunk himself sick. His headache was catastrophic, his mouth felt as though it were filled with a wad of cotton wool, and he feared he might throw up, even though it had been many hours since he had taken food. He opened his eyes slowly and, without moving a muscle, took stock of his situation. He lay on his back atop a narrow camp bed, in a small chamber with walls as white as porcelain. His hands were cuffed and the cuffs were attached to an iron loop in the wall behind his head so that his arms were stretched painfully backward. His clothing and wristwatch had been removed; his mouth had been taped closed. A searing white light shone fiercely into his face.

He closed his eyes, fought off a wave of nausea, and shivered violently from the cold. A good hiding place, this. Surely much planning and enterprise had gone into creating it. Despite the almost clinical cleanliness of the chamber, there were foul smells on the air, the smell of feces and body odor, the odor of a woman held for a long time in captivity. Elizabeth Halton had been here before him—he was certain of it. Was she still close by, he wondered, or had they moved her to another location to make way for the new tenant?