Chapters (65)
- Prologue
- Part One: Channels
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Interlude I: Elsewhere
- Interlude II: Bellis Coldwine
- Part Two: Salt
- Chapter Six
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Chapter Ten
- Chapter Eleven
- Chapter Twelve
- Chapter Thirteen
- Chapter Fourteen
- Interlude III: Elsewhere
- Part Three: The Compass Factory
- Chapter Fifteen
- Chapter Sixteen
- Chapter Seventeen
- Chapter Eighteen
- Chapter Nineteen
- Chapter Twenty
- Interlude IV: Elsewhere
- Part Four: Blood
- Chapter Twenty-One
- Chapter Twenty-Two
- Chapter Twenty-Three
- Chapter Twenty-Four
- Chapter Twenty-Five
- Chapter Twenty-Six
- Interlude V: Tanner Sack
- Interlude VI: Elsewhere
- Part Five: Storms
- Chapter Twenty-Seven
- Chapter Twenty-Eight
- Chapter Twenty-Nine
- Chapter Thirty
- Chapter Thirty-One
- Chapter Thirty-Two
- Interlude VII: Basilisk Channel
- Interlude VIII: Elsewhere
- Part Six: Morning Walker
- Chapter Thirty-Three
- Chapter Thirty-Four
- Chapter Thirty-Five
- Chapter Thirty-Six
- Chapter Thirty-Seven
- Chapter Thirty-Eight
- Chapter Thirty-Nine
- Chapter Forty
- Interlude IX: The Brucolac
- Part Seven: The Lookout
- Chapter Forty-One
- Chapter Forty-Two
- Chapter Forty-Three
- Chapter Forty-Four
- Chapter Forty-Five
- Chapter Forty-Six
- Chapter Forty-Seven
- Coda: Tanner Sack
The rotten blood below them is pulsing with strange tides. The submersible shudders again as something heavy hits it, unseen. Chion begins to keen.
Moving his head slowly, through time suddenly congealed, Johannes watches the scabmettler’s hands, as sluggish and clumsy as stumps, grappling with the controls, hauling backward, tugging to pull the vessel away; but it is hit again, and it eddies unsteadily.
Johannes hears himself shrieking with Chion to get out get out.
Something outside is knocking at the Ctenophore ’s hatch.
Johannes cries out, staring aghast at the blood-plain below.
A dark harvest, a thicket of black flowers, has burst from it in the oscillating glare of the lamp, blossoms that thrust upward toward that cold false sun on thick stems, muscled and veined, that are not stems but arms, those are not flowers but hands; claws, crooked, and arms spread wide and predatory, and now chests and heads and bodies rise, shoved up from below the slick of blood where they have been gnawing and spitting venom.
Like spirits rising from graveyard earth, bodies are ascending, dissipating the blood with their tails, staring up at the newcomers with colossal eyes into which Johannes gazes with awe and horror. Their faces are fixed in unwitting grins that mock him, flesh scraps fluttering free from teeth bigger than his fingers.
They swim with the grace of eels toward the vessel, which rolls under their weight, which is borne down by their outstretched hands, whose portholes sway and face suddenly up, tipping the three within into each other, where they lie screaming, staring up and screaming in the dying lantern light at the faces at their windows, the scrabbling hands.
Johannes feels his mouth stretched wide, but he can hear nothing. His arms smash against the bodies of his crew, and they beat him in terrified turn, and he feels nothing.
The light pours up from the Ctenophore and is eaten by the abyss. Johannes watches the creatures press down on the portholes, and a rage of thoughts arc through him. These are the sickness, he keeps thinking hysterically. These are the sickness.
The sickness crowd around the submersible. They burst the phosphor lamp, which douses in a rush of bubbles, and now all that illuminates their distended faces is the faint yellow from the lantern within.
Johannes is staring up through the cabin into a pair of eyes outside, four miles below the sea. For a tiny fraction of a second he sees, absolutely vividly and clearly, how he must appear to those eyes, his own face bloodied from the tumbling and stark with lines and lantern light, his frozen, stricken expression.
He watches as the battered portholes vein. He watches the cracks crawl like busy things over and around each other, tracing pathways, riddling the glass until it creaks and the submersible shakes. He crawls backward from the ruined window, as if another handful of inches might save him.