The Scar

The Scar

(Bas-Lag 02)

By

China Miéville

"In time, in time they tell me, I'll not feel so bad. I don't want time to heal me. There's a reason I'm like this.
I want time to set me ugly and knotted with loss of you, marking me. I won't smooth you away.
I can't say goodbye."

Prologue

Part One: Channels

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Interlude I: Elsewhere

Interlude II: Bellis Coldwine

Part Two: Salt

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Interlude III: Elsewhere

Part Three: The Compass Factory

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Interlude IV: Elsewhere

Part Four: Blood

Chapter Twenty-One

Chapter Twenty-Two

Chapter Twenty-Three

Chapter Twenty-Four

Chapter Twenty-Five

Chapter Twenty-Six

Interlude V: Tanner Sack

Interlude VI: Elsewhere

Part Five: Storms

Chapter Twenty-Seven

Chapter Twenty-Eight

Chapter Twenty-Nine

Chapter Thirty

Chapter Thirty-One

Chapter Thirty-Two

Interlude VII: Basilisk Channel

Interlude VIII: Elsewhere

Part Six: Morning Walker

Chapter Thirty-Three

Chapter Thirty-Four

Chapter Thirty-Five

Chapter Thirty-Six

Chapter Thirty-Seven

Chapter Thirty-Eight

Chapter Thirty-Nine

Chapter Forty

Interlude IX: The Brucolac

Part Seven: The Lookout

Chapter Forty-One

Chapter Forty-Two

Chapter Forty-Three

Chapter Forty-Four

Chapter Forty-Five

Chapter Forty-Six

Chapter Forty-Seven

Coda: Tanner Sack

“Yet the memory would not set into the setting sun, that green and frozen glance to the wide blue sea where broken hearts are wrecked out of their wounds. A blind sky bleached white the intellect of human bone, skinning the emotions from the fracture to reveal the grief underneath. And the mirror reveals me, a naked and vulnerable fact.”

-Dambudzo Marechera, Black Sunlight

Prologue

A mile below the lowest cloud, rock breaches water and the sea begins.

It has been given many names. Each inlet and bay and stream has been classified as if it were discrete. But it is one thing, where borders are absurd. It fills the spaces between stones and sand, curling around coastlines and filling trenches between the continents.

At the edges of the world the salt water is cold enough to burn. Huge slabs of frozen sea mimic the land, and break and crash and reform, crisscrossed with tunnels, the homes of frost-crabs, philosophers with shells of living ice. In the southern shallows there are forests of pipe-worms and kelp and predatory corals. Sunfish move with idiot grace. Trilobites make nests in bones and dissolving iron.

The sea throngs.

There are free-floating top-dwellers that live and die in surf without ever seeing dirt beneath them. Complex ecosystems flourish in neritic pools and flatlands, sliding on organic scree to the edge of rock shelves and dropping into a zone below light.

There are ravines. Presences something between molluscs and deities squat patiently below eight miles of water. In the lightless cold a brutality of evolution obtains. Rude creatures emit slime and phosphorescence and move with flickerings of unclear limbs. The logic of their forms derives from nightmares.

There are bottomless shafts of water. There are places where the granite and muck base of the sea falls away in vertical tunnels that plumb miles, spilling into other planes, under pressure so great that the water flows sluggish and thick. It spurts through the pores of reality, seeping back in dangerous washes, leaving fissures through which displaced forces can emerge.

In the chill middle deeps, hydrothermic vents break through the rocks and spew clouds of superheated water. Intricate creatures bask in this ambient warmth their whole short lives, never straying beyond a few feet of warm, mineral-rich water into a cold which would kill them.

The landscape below the surface is one of mountains and canyons and forests, shifting dunes, ice caverns and graveyards. The water is dense with matter. Islands float impossibly in the deeps, caught on charmed tides. Some are the size of coffins, little slivers of flint and granite that refuse to sink. Others are gnarled rocks half a mile long, suspended thousands of feet down, moving on slow, arcane streams. There are communities on these unsinking lands: there are hidden kingdoms.

There is heroism and brute warfare on the ocean floor, unnoticed by land-dwellers. There are gods and catastrophes.

Intruding vessels pass between the sea and the air. Their shadows fleck the bottom where it is high enough for light to reach. The trading ships and cogs, the whaling boats pass over the rot of other craft. Sailors’ bodies fertilize the water. Scavenger fish feed on eyes and lips. There are jags in the coral architecture where masts and anchors have been reclaimed. Lost ships are mourned or forgotten, and the living floor of the sea takes them and hides them with barnacles, gives them as caves to morays and ratfish and cray outcastes; and other more savage things.

In the deepest places, where physical norms collapse under the crushing water, bodies still fall softly through the dark, days after their vessels have capsized.

They decay on their long journey down. Nothing will hit the black sand at the bottom of the world but algae-covered bones.

At the edges of the shelves of rock where cold, light water gives way to a creeping darkness, a he-cray scrambles. He sees prey, clicks and rattles deep in his throat while he slips the hood from his hunting squid and releases it.

It bolts from him, diving for the shoal of fat mackerel that boil and re-form like a cloud twenty feet above. Its foot-long tentacles open and whip closed again. The squid returns to its master, dragging a dying fish, and the school reknits behind it.

The cray slices the head and tail from the mackerel and slips the carcass into a net bag at his belt. The bloody head he gives his squid to gnaw.

The upper body of the cray, the soft, unarmored section, is sensitive to minute shifts of tide and temperature. He feels a prickling against his sallow skin as complex washes of water meet and interact. With an abrupt spasm the mackerel-cloud congeals and disappears over the crusted reef.

The cray raises his arm and calls his squid closer to him, soothes it gently. He fingers his harpoon.

He is standing on a granite ridge, where seaweed and ferns move against him, caressing his long underbelly. To his right, swells of porous stone rise above him. To the left the slope falls away fast into disphotic water. He can feel the chill emanating from below. He looks out into a steep gradation of blue. Way overhead, on the surface, there are ripples of light. Below him the rays peter swiftly out. He stands only a little way above the border of perpetual dark.

He treads carefully here, on the edge of the plateau. He often comes to hunt here, where prey are less careful, away from the lighter, warmer shallows. Sometimes big game rises curiously from the pitch, unused to his shrewd tactics and barbed spears. The cray shifts nervously in the current and stares out into the open sea. Sometimes it is not prey but predators that rise from the twilight zone.

Eddies of cold roll over him. Pebbles are dislodged around his feet and bounce slowly down the slope and out of sight. The cray braces himself on the slippery boulders.

Somewhere below him there is a soft percussion of rocks. A chill not carried by any current creeps across his skin. Stones are realigning, and a spill of thaumaturgic wash is spewing through new crevices.

Something baleful is emerging in the cold water, at the edge of the dark.

The cray hunter’s squid is beginning to panic, and when he releases it again, it jets instantly up the slope, toward the light. He peers back into the murk, looking for the source of the sound.

There is an ominous vibration. As he tries to see through water stained by dust and plankton, something moves. Way below, a plug of rock bigger than a man shudders. The cray bites his lip as the great irregular stone falls suddenly free and begins a grinding descent.

The thundering of its passage reverberates long after it has become invisible.

There is a pit in the slope now, that stains the sea with darkness. It is quiet and motionless for a time, and the cray fingers his spear with anxiety, clutching at it and hefting it and feeling himself tremble.

And then, softly, something colorless and cold slips from the hole.

It confuses the eye, flitting with a grotesque organic swiftness that seems to belie intention, like gore falling from a wound. The he-cray is quite still. His fear is intense.

Another shape emerges. Again he cannot make it out: it evades him; it is like a memory or an impression; it will not be specified. It is fast and corporeal and coldly terrifying.

There is another, and then more, until a constant quick stream dribbles from the darkness. The presences shift, not quite invisible, communing and dissipating, their movements opaque.

The he-cray is still. He can hear strange, whispering discourses on the tides.

His eyes widen as he glimpses massive backbent teeth, bodies pebbled with rucks. Sinuous muscled things fluttering in the freezing water.

The he-cray starts and steps backward, his feet skittering on sloping stone, trying to quiet himself but too slow-small shattered sounds emerging from him.

With a single motion, a lazy, predatory twitch, the dark things that huddle in council below him move. The he-cray sees the darks of a score of eyes, and he knows with a sick-making fear that they are watching.

And then with a monstrous grace, they rise, and are upon him.

Part One: Channels

-------------------------------------

Chapter One

It is only ten miles beyond the city that the river loses its momentum, drooling into the brackish estuary that feeds Iron Bay.

The boats that make the eastward journey out of New Crobuzon enter a lower landscape. To the south there are huts and rotten little jetties, from where rural laborers fish to supplement monotonous diets. Their children wave at travelers, warily. Occasionally there is a knoll of rock or a small copse of darkwood trees, places that defy cultivation, but mostly the land is clear of stones.

From the decks, sailors can see over the fringe of hedgerow and trees and bramble to a tract of fields. This is the stubby end of the Grain Spiral, the long curl of farmland that feeds the city. Men and women can be seen among the crops, or plowing the black earth, or burning the stubble-depending on the season. Barges putter weirdly between fields, on canals hidden by banks of earth and vegetation. They go endlessly between the metropolis and the estates. They bring chymicals and fuel, stone and cement and luxuries to the country. They return to the city past acres of cultivation studded with hamlets, great houses, and mills, with sack upon sack of grain and meat.

The transport never stops. New Crobuzon is insatiable.

The north bank of the Gross Tar is wilder.

It is a long expanse of scrub and marsh. It stretches out for more than eighty miles, till the foothills and low mountains that creep at it from the west cover it completely. Ringed by the river, the mountains, and the sea, the rocky scrubland is an empty place. If there are inhabitants other than the birds, they stay out of sight.

Bellis Coldwine took her passage on an east-bound boat in the last quarter of the year, at a time of constant rain. The fields she saw were cold mud. The half-bare trees dripped. Their silhouettes looked wetly inked onto the clouds.

Later, when she thought back to that miserable time, Bellis was shaken by the detail of her memories. She could recall the formation of a flock of geese that passed over the boat, barking; the stench of sap and earth; the slate shade of the sky. She remembered searching the hedgerow with her eyes but seeing no one. Only threads of woodsmoke in the soaking air, and squat houses shuttered against weather.

The subdued movement of greenery in the wind.

She had stood on the deck enveloped in her shawl and watched and listened for children’s games or anglers, or for someone tending one of the battered kitchen gardens she saw. But she heard only feral birds. The only human forms she saw were scarecrows, their rudimentary features impassive.

It had not been a long journey, but the memory of it filled her like infection. She had felt tethered by time to the city behind her, so that the minutes stretched out taut as she moved away, and slowed the farther she got, dragging out her little voyage.

And then they had snapped, and she had found herself catapulted here, now, alone and away from home.

Much later, when she was miles from everything she knew, Bellis would wake, astonished that it was not the city itself, her home for more than forty years, that she dreamed of. It was that little stretch of river, that weatherbeaten corridor of country that had surrounded her for less than half a day.

In a quiet stretch of water, a few hundred feet from the rocky shore of Iron Bay, three decrepit ships were moored. Their anchors were rooted deep in silt. The chains that attached them were scabbed with years of barnacles.

They were unseaworthy, smeared bitumen-black, with big wooden structures built precariously at the stern and bow. Their masts were stumps. Their chimneys were cold and crusted with old guano.

The ships were close together. They were ringed with buoys strung together with barbed chain, above and below the water. The three old vessels were enclosed in their own patch of sea, unmoved by any currents.

They drew the eye. They were watched.

In another ship some distance away, Bellis raised herself to her porthole and looked out at them, as she had done several times over the previous hours. She folded her arms tight below her breasts and bent forward toward the glass.

Her berth seemed quite still. The movement of the sea beneath her was slow and slight enough to be imperceptible.

The sky was flint-grey and sodden. The shoreline and the rock hills that ringed Iron Bay looked worn and very cold, patched with crabgrass and pale saline ferns.

Those wooden hulks on the water were the darkest things visible.

Bellis sat slowly back on her bunk and picked up her letter. It was written like a diary; lines or paragraphs separated by dates. As she read over what she had last written she opened a tin box of prerolled cigarillos and matches. She lit up and inhaled deeply, pulling a fountain pen from her pocket and adding several words in a terse hand before she breathed the smoke away.

Skullday 26th Rinden 1779. Aboard the Terpsichoria

It is nearly a week since we left the mooring in Tarmuth, and I am glad to have gone. It is an ugly, violent town.

I spent my nights in my lodgings, as advised, but my days were my own. I saw what there was to the place. It is ribbon-thin, a strip of industry that juts a mile or so north and south of the estuary, split by the water. Every day, the few thousand residents are joined by huge numbers who come from the city at dawn, making their way from New Crobuzon in boat- and cartloads to work. Every night the bars and bordellos are full of foreign sailors on brief shore leave.