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Chapters (65)
  1. Prologue
  2. Part One: Channels
  3. Chapter One
  4. Chapter Two
  5. Chapter Three
  6. Chapter Four
  7. Chapter Five
  8. Interlude I: Elsewhere
  9. Interlude II: Bellis Coldwine
  10. Part Two: Salt
  11. Chapter Six
  12. Chapter Seven
  13. Chapter Eight
  14. Chapter Nine
  15. Chapter Ten
  16. Chapter Eleven
  17. Chapter Twelve
  18. Chapter Thirteen
  19. Chapter Fourteen
  20. Interlude III: Elsewhere
  21. Part Three: The Compass Factory
  22. Chapter Fifteen
  23. Chapter Sixteen
  24. Chapter Seventeen
  25. Chapter Eighteen
  26. Chapter Nineteen
  27. Chapter Twenty
  28. Interlude IV: Elsewhere
  29. Part Four: Blood
  30. Chapter Twenty-One
  31. Chapter Twenty-Two
  32. Chapter Twenty-Three
  33. Chapter Twenty-Four
  34. Chapter Twenty-Five
  35. Chapter Twenty-Six
  36. Interlude V: Tanner Sack
  37. Interlude VI: Elsewhere
  38. Part Five: Storms
  39. Chapter Twenty-Seven
  40. Chapter Twenty-Eight
  41. Chapter Twenty-Nine
  42. Chapter Thirty
  43. Chapter Thirty-One
  44. Chapter Thirty-Two
  45. Interlude VII: Basilisk Channel
  46. Interlude VIII: Elsewhere
  47. Part Six: Morning Walker
  48. Chapter Thirty-Three
  49. Chapter Thirty-Four
  50. Chapter Thirty-Five
  51. Chapter Thirty-Six
  52. Chapter Thirty-Seven
  53. Chapter Thirty-Eight
  54. Chapter Thirty-Nine
  55. Chapter Forty
  56. Interlude IX: The Brucolac
  57. Part Seven: The Lookout
  58. Chapter Forty-One
  59. Chapter Forty-Two
  60. Chapter Forty-Three
  61. Chapter Forty-Four
  62. Chapter Forty-Five
  63. Chapter Forty-Six
  64. Chapter Forty-Seven
  65. Coda: Tanner Sack

(Tanner Sack is hardier than Bellis. He is released into the care of Shekel, who is crying for worry of him, who grabs him and hugs him with a bawl of relieved misery to see Tanner’s broken shuffle. Tanner shrieks as Shekel’s hands grip his lacerated back, and their two voices mingle before Shekel leads Tanner on to where Angevine is waiting.

"What they do to you?" Shekel moans repeatedly. "Why?" And Tanner shushes him and stutters that there were reasons, and that they’ll not talk about it, that it’s over now.

These are momentous days. There are great decisions taken. There are mass meetings to discuss the war and the city’s history, and the avanc and the weather and the future.

Bellis knows nothing of any of this.)

Days later, Bellis Coldwine sat up, her fever almost gone. She ate and drank for herself, spilling a great deal from her violently shaking fingers. When she moved, she bit down against the pain. She did not know that all the guards in the corridor were very used to her screams.

She roused herself the day after that, moving as slow and tentative as someone terribly aged. She half tied up her hair and draped a long, shapeless shirt over herself.

Her door was not locked. She was not a prisoner anymore. She had not been for a week.

There were guards in the corridor, in that deep prison wing of the Grand Easterly, and she called one over to her and tried to meet his eye.

"I will go home now," she said, and felt like crying when she heard her own voice.

To Bellis’ shock, it was Uther Doul who helped her home.

The Chromolith was only two ships port of the Grand Easterly, but Doul took her by aircab. She sat away from him in the gondola, horrified to feel her fear of him-which had disappeared over the months, replaced by other emotions-returning. He studied her without visible pity.

Hehad not sentenced her, of course. But every time her mind returned to that extended, bloody, murderous, torturous hour a week previously, with cut-up images of pain, her own screaming, she saw Uther as what he was, an agent of Armada, the power that had done this to her. The man who wielded the whip had been irrelevant.

When she entered her rooms, Doul followed her, carrying her possessions. She ignored him. Moving carefully, she found a mirror.

It was as if the violence that had been done to her back had spread and ravaged her face. She looked drained of blood. The lines and crow’s-feet that had been slowly marking her for more than ten years had become like gashes, like the wounds cut into the faces of the Lovers. Bellis fingered her cheeks and eyes in horror.