Chapters (65)
- Prologue
- Part One: Channels
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Interlude I: Elsewhere
- Interlude II: Bellis Coldwine
- Part Two: Salt
- Chapter Six
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Chapter Ten
- Chapter Eleven
- Chapter Twelve
- Chapter Thirteen
- Chapter Fourteen
- Interlude III: Elsewhere
- Part Three: The Compass Factory
- Chapter Fifteen
- Chapter Sixteen
- Chapter Seventeen
- Chapter Eighteen
- Chapter Nineteen
- Chapter Twenty
- Interlude IV: Elsewhere
- Part Four: Blood
- Chapter Twenty-One
- Chapter Twenty-Two
- Chapter Twenty-Three
- Chapter Twenty-Four
- Chapter Twenty-Five
- Chapter Twenty-Six
- Interlude V: Tanner Sack
- Interlude VI: Elsewhere
- Part Five: Storms
- Chapter Twenty-Seven
- Chapter Twenty-Eight
- Chapter Twenty-Nine
- Chapter Thirty
- Chapter Thirty-One
- Chapter Thirty-Two
- Interlude VII: Basilisk Channel
- Interlude VIII: Elsewhere
- Part Six: Morning Walker
- Chapter Thirty-Three
- Chapter Thirty-Four
- Chapter Thirty-Five
- Chapter Thirty-Six
- Chapter Thirty-Seven
- Chapter Thirty-Eight
- Chapter Thirty-Nine
- Chapter Forty
- Interlude IX: The Brucolac
- Part Seven: The Lookout
- Chapter Forty-One
- Chapter Forty-Two
- Chapter Forty-Three
- Chapter Forty-Four
- Chapter Forty-Five
- Chapter Forty-Six
- Chapter Forty-Seven
- Coda: Tanner Sack
The Lover closed the door behind him.
"It was built more than two and a half centuries ago, at the end of the Full Years," he continued. He spoke to her in Ragamoll, with only a slight accent. He sat, indicated to her to do the same. "In fact, it’s been claimed that the Grand Easterly ’s building itself brought the Full Years to an end. Obviously," he said, deadpan, "that is ridiculous. But it’s a useful symbolic coincidence. Decline was setting in at the end of the 1400s, and what more potent symbol of the failure of science than this ship? In a scramble to prove that New Crobuzon was still in its golden age, they come up with this thing.
"It’s a very poor design, you know. Trying to combine the paddle power of those stupid huge wheels, on her flanks, with a screw propeller." He shook his head, not taking his eyes from Bellis. "You can’t power something of this size with paddles. So they just loomed there like tumors, ruining the ship’s line, acting as brakes. Which meant the screw didn’t work very well, either, and you couldn’t sail it. Isn’t it ironic?
"But there’s one thing that they did right. They set out to build the biggest vessel ever seen. They had to launch the thing sideways, in the estuary by Iron Bay. And for a few years it limped around. Awesome but… ungainly. They tried to use it during the Second Pirate Wars, but it lumbered like a massively armed rhinoceros while the Suroch and Jheshull ships danced around it.
"Then, they’ll tell you, it sank. Of course, it didn’t. We took it.
"They were wonderful years for Armada, the Pirate Wars. All that carnage; ships disappearing every day; missing cargos; sailors and soldiers fed up with fighting and dying, eager to escape. We stole ships and technology and people. We grew and grew.
"We took the Grand Easterly because we could. That was when Garwater took control, which it has never lost. This ship is our heart. Our factory, our palace. It was a dreadful steamer, but it is a superlative fortress. That was the last… great age for Armada."
There was silence for a long time.
"Until now," he said, and smiled at her. And the interrogation began.
When it was all finished, and she emerged mole-eyed into the afternoon, she found it hard to recall his questions exactly.
He had asked her a great deal about the translation. Had she found it hard? Was there anything that had not made sense? Could she also speak High Kettai, or merely read it? And on and on.