Back The Scar Save as PDF
Chapters (65)
  1. Prologue
  2. Part One: Channels
  3. Chapter One
  4. Chapter Two
  5. Chapter Three
  6. Chapter Four
  7. Chapter Five
  8. Interlude I: Elsewhere
  9. Interlude II: Bellis Coldwine
  10. Part Two: Salt
  11. Chapter Six
  12. Chapter Seven
  13. Chapter Eight
  14. Chapter Nine
  15. Chapter Ten
  16. Chapter Eleven
  17. Chapter Twelve
  18. Chapter Thirteen
  19. Chapter Fourteen
  20. Interlude III: Elsewhere
  21. Part Three: The Compass Factory
  22. Chapter Fifteen
  23. Chapter Sixteen
  24. Chapter Seventeen
  25. Chapter Eighteen
  26. Chapter Nineteen
  27. Chapter Twenty
  28. Interlude IV: Elsewhere
  29. Part Four: Blood
  30. Chapter Twenty-One
  31. Chapter Twenty-Two
  32. Chapter Twenty-Three
  33. Chapter Twenty-Four
  34. Chapter Twenty-Five
  35. Chapter Twenty-Six
  36. Interlude V: Tanner Sack
  37. Interlude VI: Elsewhere
  38. Part Five: Storms
  39. Chapter Twenty-Seven
  40. Chapter Twenty-Eight
  41. Chapter Twenty-Nine
  42. Chapter Thirty
  43. Chapter Thirty-One
  44. Chapter Thirty-Two
  45. Interlude VII: Basilisk Channel
  46. Interlude VIII: Elsewhere
  47. Part Six: Morning Walker
  48. Chapter Thirty-Three
  49. Chapter Thirty-Four
  50. Chapter Thirty-Five
  51. Chapter Thirty-Six
  52. Chapter Thirty-Seven
  53. Chapter Thirty-Eight
  54. Chapter Thirty-Nine
  55. Chapter Forty
  56. Interlude IX: The Brucolac
  57. Part Seven: The Lookout
  58. Chapter Forty-One
  59. Chapter Forty-Two
  60. Chapter Forty-Three
  61. Chapter Forty-Four
  62. Chapter Forty-Five
  63. Chapter Forty-Six
  64. Chapter Forty-Seven
  65. Coda: Tanner Sack

They have explored. They have seen the temples and the shark pits and the galleries and arcades, and the cray slums, the architecture of the shallows. As light fails and Salkrikaltor’s globes glow, traffic increases. Young cray dandies fight and posture on the spiraling walkways above (their actions are reflected in the hidden watchers’ eyes).

Hours pass. The streets empty out. The globes dim a little in the hours before dawn.

And there is silence. And dark. And cold.

And the intruders move.

They pass through empty streets, cloaked in darkness.

The intruders move like ribbons of waste, as if they are nothing, as if they are tugged by random ebbs and tides. They trace anemone-scarred backstreets.

Nothing living is in the trench-streets except night fishes, the snails, the crabs that freeze with fear as the intruders approach. They pass beggars in the atomies of buildings. Through a rip in a warehouse poised on the brink of being dust. Out over the lowest level of a water-beaten roofscape like coral, insinuating themselves into shadows that seem too small for them. Quick as morays.

A name was whispered to them in a coil of blood, a clue that they have accepted, and stalked and found.

They rise and look down on the roofscape through the sea.

He sleeps there, his legs folded below him, his torso rocking faintly in the current, his eyes closed-the he-cray they have hunted. The intruders hunker low. They stroke him and touch him and make sounds from within their throats, and his eyes open slowly and he spasms violently in the bonds in which they have spread-eagled him (as quietly and gently as nannies, not to wake him), and his mouth strains so wide that it looks as if it will split and bleed. He would be screaming and screaming in cray vibrato if they had not fit him with a collar of bone that skewers painlessly into certain nerves in his neck and back and cuts off his sound.

Little gouts of blood float up from the cray’s throat. The intruders watch him curiously. When finally his frenzy exhausts him, a captor moves with alien grace and speaks.

-you know somethingit says.- we need to know it too.

They begin their work, whispering questions as they touch and touch the cray translator with unthinkable expertise, and he snaps back his head and screams again.

Again, without a sound.

The intruders continue.

And later.

The wormcast floor of the ocean plunges out of sight and the water opens endlessly and the dark figures (far from home) sit motionless suspended in the dark, and ponder.

The trail has exploded.