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Contents (91)
  1. THE PRETTY LADY
  2. * * *
  3. ARNOLD BENNETT
  4. *
  5. Contents
  6. *
  7. The Pretty Lady
  8. *
  9. Chapter 1 - The Promenade
  10. *
  11. Chapter 2 - The Power
  12. *
  13. Chapter 3 - The Flat
  14. *
  15. Chapter 4 - Confidence
  16. *
  17. Chapter 5 - Ostend
  18. *
  19. Chapter 6 - The Albany
  20. *
  21. Chapter 7 - For the Empire
  22. *
  23. Chapter 8 - Boots
  24. *
  25. Chapter 9 - The Club
  26. *
  27. Chapter 10 - The Mission
  28. *
  29. Chapter 11 - The Telegram
  30. *
  31. Chapter 12 - Rendezvous
  32. *
  33. Chapter 13 - In Committee
  34. *
  35. Chapter 14 - Queen
  36. *
  37. Chapter 15 - Evening Out
  38. *
  39. Chapter 16 - The Virgin
  40. *
  41. Chapter 17 - Sunday Afternoon
  42. *
  43. Chapter 18 - The Mystic
  44. *
  45. Chapter 19 - The Visit
  46. *
  47. Chapter 20 - Mascot
  48. *
  49. Chapter 21 - The Leave-Train
  50. *
  51. Chapter 22 - Getting on with the War
  52. *
  53. Chapter 23 - The Call
  54. *
  55. Chapter 24 - The Soldier
  56. *
  57. Chapter 25 - The Ring
  58. *
  59. Chapter 26 - The Return
  60. *
  61. Chapter 27 - The Clyde
  62. *
  63. Chapter 28 - Salome
  64. *
  65. Chapter 29 - The Streets
  66. *
  67. Chapter 30 - The Child's Arm
  68. *
  69. Chapter 31 - "Romance"
  70. *
  71. Chapter 32 - Mrs. Braiding
  72. *
  73. Chapter 33 - The Roof
  74. *
  75. Chapter 34 - In the Boudoir
  76. *
  77. Chapter 35 - Queen Dead
  78. *
  79. Chapter 36 - Collapse
  80. *
  81. Chapter 37 - The Invisible Powers
  82. *
  83. Chapter 38 - The Victory
  84. *
  85. Chapter 39 - Idyll
  86. *
  87. Chapter 40 - The Window
  88. *
  89. Chapter 41 - The Envoy
  90. *
  91. * * *

"Con," he said kindly, "you don't suspect it, but you're childish. It's the job of one part of London to talk. If that part of London didn't talk your tribes on the Clyde couldn't work, because they wouldn't know what to do, nor how to do it. Talking has to come before working, and let me tell you it's more difficult, and it's more killing, because it's more responsible. Excuse this common sense made easy for beginners, but you brought it on yourself."

She frowned. "And what do you do? Do you talk or work?" She smiled.

"I'll tell you this!" said he, smiling candidly and benevolently. "It took me a dickens of a time really to put myself into anything that meant steady effort. I'd lost the habit. Natural enough, and I'm not going into sackcloth about it. However, I'm improving. I'm going to take on the secretaryship of the Lechford Committee. Some of 'em mayn't want me, but they'll have to have me. And when they've got me they'll have to look out. All of them, including Queen and her mother."

"Will it take the whole of your time?"

"Yes. I'm doing three days a week now."

"I suppose you think you've beaten me."

"Con, I do ask you not to be a child."

"But I am a child. Why don't you humour me? You know I've had a nervous breakdown. You used to humour me."

He shook his head.

"Humouring you won't do your nervous breakdown any good. It might some women's—but not yours."

"You shall humour me!" she cried. "I haven't told you half my ruin. Do you know I meant to love Carly all my life. I felt sure I should. Well, I can't! It's gone, all that feeling—already! In less than two years! And now I'm only sorry for him and sorry for myself. Isn't it horrible? Isn't it horrible?"

"Try not to think," he murmured.

She sat up impetuously.

"Don't talk such damned nonsense! 'Try not to think'! Why, my frightful unhappiness is the one thing that keeps me alive."

"Yes," G.J. yielded. "It was nonsense."

She sank back. He saw moisture in her eyes and felt it in his own.

Chapter 28 - Salome

*

Lady Queenie arrived in haste, as though relentless time had pursued her up the stairs.

"Why, you're in the dark here!" she exclaimed impatiently, and impatiently switched on several lights. "Sorry I'm late, G.J.," she said perfunctorily, without taking any trouble to put conviction into her voice. "How have you two been getting on?"

She looked at Concepcion and G.J. in a peculiar way, inquisitorial and implicatory.

Then, towards the door:

"Come in, come in, Dialin."

A young soldier with the stripe of a lance-corporal entered, slightly nervous and slightly defiant.

"And you, Miss I-forget-your-name."

A young woman entered; she had very red lips and very high heels, and was both more nervous and more defiant than the young soldier.

"This is Mr. Dialin, you know, Con, second ballet-master at the Ottoman. I met him by sheer marvellous chance. He's only got ten minutes; he hasn't really got that; but he's going to see me do my Salome dance."