Contents (91)
- THE PRETTY LADY
- * * *
- ARNOLD BENNETT
- *
- Contents
- *
- The Pretty Lady
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- Chapter 1 - The Promenade
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- Chapter 2 - The Power
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- Chapter 3 - The Flat
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- Chapter 4 - Confidence
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- Chapter 5 - Ostend
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- Chapter 6 - The Albany
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- Chapter 7 - For the Empire
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- Chapter 8 - Boots
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- Chapter 9 - The Club
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- Chapter 10 - The Mission
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- Chapter 11 - The Telegram
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- Chapter 12 - Rendezvous
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- Chapter 13 - In Committee
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- Chapter 14 - Queen
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- Chapter 15 - Evening Out
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- Chapter 16 - The Virgin
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- Chapter 17 - Sunday Afternoon
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- Chapter 18 - The Mystic
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- Chapter 19 - The Visit
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- Chapter 20 - Mascot
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- Chapter 21 - The Leave-Train
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- Chapter 22 - Getting on with the War
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- Chapter 23 - The Call
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- Chapter 24 - The Soldier
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- Chapter 25 - The Ring
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- Chapter 26 - The Return
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- Chapter 27 - The Clyde
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- Chapter 28 - Salome
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- Chapter 29 - The Streets
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- Chapter 30 - The Child's Arm
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- Chapter 31 - "Romance"
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- Chapter 32 - Mrs. Braiding
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- Chapter 33 - The Roof
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- Chapter 34 - In the Boudoir
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- Chapter 35 - Queen Dead
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- Chapter 36 - Collapse
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- Chapter 37 - The Invisible Powers
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- Chapter 38 - The Victory
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- Chapter 39 - Idyll
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- Chapter 40 - The Window
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- Chapter 41 - The Envoy
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- * * *
"The matter is that I'm a ruined woman, and Queen can't understand."
And in the bewildering voluptuous brightness and luxury of the room G.J. had the sensation of being a poor, baffled ghost groping in the night of existence. Concepcion's left arm slipped over the edge of the day-bed and hung limp and pale, the curved fingers touching the carpet.
Chapter 27 - The Clyde
*
She was sitting up on the chaise-longue and had poured out the tea—he had pushed the tea-table towards the chaise-longue—and she was talking in an ordinary tone just as though she had not immodestly bared her spirit to him and as though she knew not that he realised she had done so. She was talking at length, as one who in the past had been well accustomed to giving monologues and to holding drawing-rooms in subjection while she chattered, and to making drawing-rooms feel glad that they had consented to subjection. She was saying:
"You've no idea what the valley of the Clyde is now. You can't have. It's filled with girls, and they come into it every morning by train to huge stations specially built for them, and they make the most ghastly things for killing other girls' lovers all day, and they go back by train at night. Only some of them work all night. I had to leave my own works to organise the canteen of a new filling factory. Five thousand girls in that factory. It's frightfully dangerous. They have to wear special clothing. They have to take off every stitch from their bodies in one room, and run in their innocence and nothing else to another room where the special clothing is. That's the only way to prevent the whole place being blown up one beautiful day. But five thousand of them! You can't imagine it. You'd like to, G.J., but you can't. However, I didn't stay there very long. I wanted to go back to my own place. I was adored at my own place. Of course the men adored me. They used to fight about me sometimes. Terrific men. Nothing ever made me happier than that, or so happy. But the girls were more interesting. Two thousand of them there. You'd never guess it, because they were hidden in thickets of machinery. But see them rush out endlessly to the canteen for tea! All sorts. Lots of devils and cats. Some lovely creatures, heavenly creatures, as fine as a queen. They adored me too. They didn't at first, some of them. But they soon tumbled to it that I was the modern woman, and that they'd never seen me before, and it was a great discovery. Absurdly easy to raise yourself to be the idol of a crowd that fancies itself canny! Incredibly easy! I used to take their part against the works-manager as often as I could; he was a fiend; he hated me; but then I was a fiend, too, and I hated him more. I used often to come on at six in the morning, when they did, and 'sign on'. It isn't really signing on now at all; there's a clock dial and a whole machine for catching you out. They loved to see me doing that. And I worked the lathes sometimes, just for a bit, just to show that I wasn't ashamed to work. Etc.... All that sentimental twaddle. It pleased them. And if any really vigorous-minded girl had dared to say it was sentimental twaddle, there would have been a crucifixion or something of the sort in the cloak-rooms. The mob's always the same. But what pleased them far more than anything was me knowing them by their Christian names. Not all, of course; still, hundreds of them. Marvellous feats of memorising I did! I used to go about muttering under my breath: 'Winnie, wart on left hand, Winnie, wart on left hand, wart on left hand, Winnie.' You see? And I've sworn at them—not often; it wouldn't do, naturally. But there was scarcely a woman there that I couldn't simply blast in two seconds if I felt like it. On the other hand, I assure you I could be very tender. I was surprised how tender I could be, now and then, in my little office. They'd tell me anything—sounds sentimental, but they would—and some of them had no more notion that there's such a thing on earth as propriety than a monkey has. I thought I knew everything before I went to the Clyde valley. Well, I didn't." Concepcion looked at G.J. "You know you're very innocent, G.J., compared to me."