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Contents ( 91)
  1. THE PRETTY LADY
  2. * * *
  3. ARNOLD BENNETT
  4. *
  5. Contents
  6. *
  7. The Pretty Lady
  8. *
  9. Chapter 1 - The Promenade
  10. *
  11. Chapter 2 - The Power
  12. *
  13. Chapter 3 - The Flat
  14. *
  15. Chapter 4 - Confidence
  16. *
  17. Chapter 5 - Ostend
  18. *
  19. Chapter 6 - The Albany
  20. *
  21. Chapter 7 - For the Empire
  22. *
  23. Chapter 8 - Boots
  24. *
  25. Chapter 9 - The Club
  26. *
  27. Chapter 10 - The Mission
  28. *
  29. Chapter 11 - The Telegram
  30. *
  31. Chapter 12 - Rendezvous
  32. *
  33. Chapter 13 - In Committee
  34. *
  35. Chapter 14 - Queen
  36. *
  37. Chapter 15 - Evening Out
  38. *
  39. Chapter 16 - The Virgin
  40. *
  41. Chapter 17 - Sunday Afternoon
  42. *
  43. Chapter 18 - The Mystic
  44. *
  45. Chapter 19 - The Visit
  46. *
  47. Chapter 20 - Mascot
  48. *
  49. Chapter 21 - The Leave-Train
  50. *
  51. Chapter 22 - Getting on with the War
  52. *
  53. Chapter 23 - The Call
  54. *
  55. Chapter 24 - The Soldier
  56. *
  57. Chapter 25 - The Ring
  58. *
  59. Chapter 26 - The Return
  60. *
  61. Chapter 27 - The Clyde
  62. *
  63. Chapter 28 - Salome
  64. *
  65. Chapter 29 - The Streets
  66. *
  67. Chapter 30 - The Child's Arm
  68. *
  69. Chapter 31 - "Romance"
  70. *
  71. Chapter 32 - Mrs. Braiding
  72. *
  73. Chapter 33 - The Roof
  74. *
  75. Chapter 34 - In the Boudoir
  76. *
  77. Chapter 35 - Queen Dead
  78. *
  79. Chapter 36 - Collapse
  80. *
  81. Chapter 37 - The Invisible Powers
  82. *
  83. Chapter 38 - The Victory
  84. *
  85. Chapter 39 - Idyll
  86. *
  87. Chapter 40 - The Window
  88. *
  89. Chapter 41 - The Envoy
  90. *
  91. * * *

And then she noticed a man looking at her, and she was herself again and the universe was itself again. She had a sensation of warmth and heavenly reassurance, just as though she had drunk an anisette or a crême de menthe. Her features took on an innocent expression; the characteristic puckering of the brows denoted not discontent, but a gentle concern for the whole world and also virginal curiosity. The man passed her. She did not stir. Presently he emerged afresh out of the moving knots of promenaders and discreetly approached her. She did not smile, but her eyes lighted with a faint amiable benevolence—scarcely perceptible, doubtful, deniable even, but enough. The man stopped. She at once gave a frank, kind smile, which changed all her face. He raised his hat an inch or so. She liked men to raise their hats. Clearly he was a gentleman of means, though in morning dress. His cigar had a very fine aroma. She classed him in half a second and was happy. He spoke to her in French, with a slight, unmistakable English accent, but very good, easy, conversational French—French French. She responded almost ecstatically:

"Ah, you speak French!"

She was too excited to play the usual comedy, so flattering to most Englishmen, of pretending that she thought from his speech that he was a Frenchman. The French so well spoken from a man's mouth in London most marvellously enheartened her and encouraged her in the perilous enterprise of her career. She was candidly grateful to him for speaking French.

He said after a moment:

"You have not at all a fatigued air, but would it not be preferable to sit down?"

A man of the world! He could phrase his politeness. Ah! There were none like an Englishman of the world. Frenchmen, delightfully courteous up to a point, were unsatisfactory past that point. Frenchmen of the south were detestable, and she hated them.

"You have not been in London long?" said the man, leading her away to the lounge.

She observed then that, despite his national phlegm, he was in a state of rather intense excitation. Luck! Enormous luck! And also an augury for the future! She was professing in London for the first time in her life; she had not been in the Promenade for five minutes; and lo! the ideal admirer. For he was not young. What a fine omen for her profound mysticism and superstitiousness!

Chapter 3 - The Flat

*

Her flat was in Cork Street. As soon as they entered it the man remarked on its warmth and its cosiness, so agreeable after the November streets. Christine only smiled. It was a long, narrow flat—a small sitting-room with a piano and a sideboard, opening into a larger bedroom shaped like a thick L. The short top of the L, not cut off from the rest of the room, was installed as a cabinet de toilette, but it had a divan. From the divan, behind which was a heavily curtained window, you could see right through the flat to the curtained window of the sitting-room. All the lights were softened by paper shades of a peculiar hot tint between Indian red and carmine, giving a rich, romantic effect to the gleaming pale enamelled furniture, and to the voluptuous engravings after Sir Frederick Leighton, and the sweet, sentimental engravings after Marcus Stone, and to the assorted knicknacks. The flat had homogeneity, for everything in it, except the stove, had been bought at one shop in Tottenham Court Road by a landlord who knew his business. The stove, which was large, stood in the bedroom fireplace, and thence radiated celestial comfort and security throughout the home; the stove was the divinity of the home and Christine the priestess; she had herself bought the stove, and she understood its personality—it was one of your finite gods.