Contents ( 91)
- THE PRETTY LADY
- * * *
- ARNOLD BENNETT
- *
- Contents
- *
- The Pretty Lady
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- Chapter 1 - The Promenade
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- Chapter 2 - The Power
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- Chapter 3 - The Flat
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- Chapter 4 - Confidence
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- Chapter 5 - Ostend
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- Chapter 6 - The Albany
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- Chapter 7 - For the Empire
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- Chapter 8 - Boots
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- Chapter 9 - The Club
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- Chapter 10 - The Mission
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- Chapter 11 - The Telegram
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- Chapter 12 - Rendezvous
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- Chapter 13 - In Committee
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- Chapter 14 - Queen
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- Chapter 15 - Evening Out
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- Chapter 16 - The Virgin
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- Chapter 17 - Sunday Afternoon
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- Chapter 18 - The Mystic
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- Chapter 19 - The Visit
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- Chapter 20 - Mascot
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- Chapter 21 - The Leave-Train
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- Chapter 22 - Getting on with the War
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- Chapter 23 - The Call
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- Chapter 24 - The Soldier
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- Chapter 25 - The Ring
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- Chapter 26 - The Return
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- Chapter 27 - The Clyde
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- Chapter 28 - Salome
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- Chapter 29 - The Streets
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- Chapter 30 - The Child's Arm
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- Chapter 31 - "Romance"
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- Chapter 32 - Mrs. Braiding
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- Chapter 33 - The Roof
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- Chapter 34 - In the Boudoir
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- Chapter 35 - Queen Dead
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- Chapter 36 - Collapse
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- Chapter 37 - The Invisible Powers
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- Chapter 38 - The Victory
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- Chapter 39 - Idyll
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- Chapter 40 - The Window
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- Chapter 41 - The Envoy
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- * * *
And then she noticed a man looking at her, and she was herself again and the universe was itself again. She had a sensation of warmth and heavenly reassurance, just as though she had drunk an anisette or a crême de menthe. Her features took on an innocent expression; the characteristic puckering of the brows denoted not discontent, but a gentle concern for the whole world and also virginal curiosity. The man passed her. She did not stir. Presently he emerged afresh out of the moving knots of promenaders and discreetly approached her. She did not smile, but her eyes lighted with a faint amiable benevolence—scarcely perceptible, doubtful, deniable even, but enough. The man stopped. She at once gave a frank, kind smile, which changed all her face. He raised his hat an inch or so. She liked men to raise their hats. Clearly he was a gentleman of means, though in morning dress. His cigar had a very fine aroma. She classed him in half a second and was happy. He spoke to her in French, with a slight, unmistakable English accent, but very good, easy, conversational French—French French. She responded almost ecstatically:
"Ah, you speak French!"
She was too excited to play the usual comedy, so flattering to most Englishmen, of pretending that she thought from his speech that he was a Frenchman. The French so well spoken from a man's mouth in London most marvellously enheartened her and encouraged her in the perilous enterprise of her career. She was candidly grateful to him for speaking French.
He said after a moment:
"You have not at all a fatigued air, but would it not be preferable to sit down?"
A man of the world! He could phrase his politeness. Ah! There were none like an Englishman of the world. Frenchmen, delightfully courteous up to a point, were unsatisfactory past that point. Frenchmen of the south were detestable, and she hated them.
"You have not been in London long?" said the man, leading her away to the lounge.
She observed then that, despite his national phlegm, he was in a state of rather intense excitation. Luck! Enormous luck! And also an augury for the future! She was professing in London for the first time in her life; she had not been in the Promenade for five minutes; and lo! the ideal admirer. For he was not young. What a fine omen for her profound mysticism and superstitiousness!
Chapter 3 - The Flat
*
Her flat was in Cork Street. As soon as they entered it the man remarked on its warmth and its cosiness, so agreeable after the November streets. Christine only smiled. It was a long, narrow flat—a small sitting-room with a piano and a sideboard, opening into a larger bedroom shaped like a thick L. The short top of the L, not cut off from the rest of the room, was installed as a cabinet de toilette, but it had a divan. From the divan, behind which was a heavily curtained window, you could see right through the flat to the curtained window of the sitting-room. All the lights were softened by paper shades of a peculiar hot tint between Indian red and carmine, giving a rich, romantic effect to the gleaming pale enamelled furniture, and to the voluptuous engravings after Sir Frederick Leighton, and the sweet, sentimental engravings after Marcus Stone, and to the assorted knicknacks. The flat had homogeneity, for everything in it, except the stove, had been bought at one shop in Tottenham Court Road by a landlord who knew his business. The stove, which was large, stood in the bedroom fireplace, and thence radiated celestial comfort and security throughout the home; the stove was the divinity of the home and Christine the priestess; she had herself bought the stove, and she understood its personality—it was one of your finite gods.