Contents (91)
- THE PRETTY LADY
- * * *
- ARNOLD BENNETT
- *
- Contents
- *
- The Pretty Lady
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- Chapter 1 - The Promenade
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- Chapter 2 - The Power
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- Chapter 3 - The Flat
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- Chapter 4 - Confidence
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- Chapter 5 - Ostend
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- Chapter 6 - The Albany
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- Chapter 7 - For the Empire
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- Chapter 8 - Boots
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- Chapter 9 - The Club
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- Chapter 10 - The Mission
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- Chapter 11 - The Telegram
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- Chapter 12 - Rendezvous
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- Chapter 13 - In Committee
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- Chapter 14 - Queen
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- Chapter 15 - Evening Out
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- Chapter 16 - The Virgin
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- Chapter 17 - Sunday Afternoon
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- Chapter 18 - The Mystic
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- Chapter 19 - The Visit
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- Chapter 20 - Mascot
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- Chapter 21 - The Leave-Train
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- Chapter 22 - Getting on with the War
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- Chapter 23 - The Call
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- Chapter 24 - The Soldier
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- Chapter 25 - The Ring
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- Chapter 26 - The Return
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- Chapter 27 - The Clyde
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- Chapter 28 - Salome
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- Chapter 29 - The Streets
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- Chapter 30 - The Child's Arm
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- Chapter 31 - "Romance"
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- Chapter 32 - Mrs. Braiding
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- Chapter 33 - The Roof
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- Chapter 34 - In the Boudoir
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- Chapter 35 - Queen Dead
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- Chapter 36 - Collapse
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- Chapter 37 - The Invisible Powers
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- Chapter 38 - The Victory
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- Chapter 39 - Idyll
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- Chapter 40 - The Window
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- Chapter 41 - The Envoy
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- * * *
She was addressing the wrong person. Already throughout the supper Aida, ignoring the fact that the whole structure of civilised society is based on the rule that at a meal a man must talk first to the lady on his right and then to the lady on his left and so on infinitely, had secretly taken exception to the periodic intercourse—and particularly the intercourse in French—between Christine and Molder, who was officially "hers". That these two should go off and dance together was the supreme insult to her. By ill-chance she had not sufficient physical command of herself.
Christine felt that Molder would have danced better two hours earlier; but still he danced beautifully. Their bodies fitted like two parts of a jigsaw puzzle that have discovered each other. She realised that G.J. was middle-aged, and regret tinctured the ecstasy of the dance. Then suddenly she heard a loud, imploring cry in her ear:
"Christine!"
She looked round, pale, still dancing, but only by inertia.
Nobody was near her. The four people at the Major's table gave no sign of agitation or even of interest. The Major still had Alice more or less in his arms.
"What was that?" she asked wildly.
"What was what?" said Molder, at a loss to understand her extraordinary demeanour.
And she heard the cry again, and then again:
"Christine! Christine!"
She recognised the voice. It was the voice of the officer whom she had taken to Victoria Station one Sunday night months and months ago.
"Excuse me!" she said, slipping from Molder's hold, and she hurried out of the room to the ladies' cloak-room, got her wraps, and ran past the watchful guardian, through the dark, dubious portico of the club into the street. The thing was done in a moment, and why she did it she could not tell. She knew simply that she must do it, and that she was under the dominion of those unseen powers in whom she had always believed. She forgot the Guinea-Fowl as completely as though it had been a pre-natal phenomenon with her.
Chapter 24 - The Soldier
*
But outside she lost faith. Half a dozen motor-cars were slumbering in a row near the door of the Guinea-Fowl, and they all stirred monstrously yet scarcely perceptibly at the sight of the woman's figure, solitary, fragile and pale in the darkness. They seemed for an instant to lust for her; and then, recognising that she was not their prey, to sink back into the torpor of their inexhaustible patience. The sight of them was prejudicial to the dominion of the unseen powers. Christine admitted to herself that she had drunk a lot, that she was demented, that her only proper course was to return dutifully to the supper-party. She wondered what, if she did not so return, she could possibly say to justify herself to G.J.
Nevertheless she went on down the street, hurrying, automatic, and reached the main thoroughfare. It was dark with the new protective darkness. The central hooded lamps showed like poor candles, making a series of rings of feeble illumination on the vast invisible floor of the road. Nobody was afoot; not a soul. The last of the motor-buses that went about killing and maiming people in the new protective darkness had long since reached its yard. The seductive dim violet bulbs were all extinguished on the entrances of the theatres, and, save for a thread of light at some lofty window here and there, the curving facades of the street were as undecipherable as the heavens above or as the asphalte beneath.