Contents (91)
- THE PRETTY LADY
- * * *
- ARNOLD BENNETT
- *
- Contents
- *
- The Pretty Lady
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- Chapter 1 - The Promenade
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- Chapter 2 - The Power
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- Chapter 3 - The Flat
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- Chapter 4 - Confidence
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- Chapter 5 - Ostend
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- Chapter 6 - The Albany
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- Chapter 7 - For the Empire
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- Chapter 8 - Boots
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- Chapter 9 - The Club
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- Chapter 10 - The Mission
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- Chapter 11 - The Telegram
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- Chapter 12 - Rendezvous
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- Chapter 13 - In Committee
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- Chapter 14 - Queen
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- Chapter 15 - Evening Out
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- Chapter 16 - The Virgin
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- Chapter 17 - Sunday Afternoon
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- Chapter 18 - The Mystic
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- Chapter 19 - The Visit
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- Chapter 20 - Mascot
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- Chapter 21 - The Leave-Train
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- Chapter 22 - Getting on with the War
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- Chapter 23 - The Call
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- Chapter 24 - The Soldier
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- Chapter 25 - The Ring
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- Chapter 26 - The Return
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- Chapter 27 - The Clyde
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- Chapter 28 - Salome
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- Chapter 29 - The Streets
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- Chapter 30 - The Child's Arm
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- Chapter 31 - "Romance"
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- Chapter 32 - Mrs. Braiding
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- Chapter 33 - The Roof
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- Chapter 34 - In the Boudoir
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- Chapter 35 - Queen Dead
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- Chapter 36 - Collapse
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- Chapter 37 - The Invisible Powers
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- Chapter 38 - The Victory
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- Chapter 39 - Idyll
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- Chapter 40 - The Window
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- Chapter 41 - The Envoy
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- * * *
"And why on earth not?"
And then aloud, soothingly, to Craive:
"All right! All right!"
The Major brightened and said to Molder:
"You'll come, of course?"
"Oh, rather!" answered Molder, quite simply.
And G.J., again to himself, said:
"I am a simpleton."
The Major's pleading, and the spectacle of the two officers with their precarious hold on life, humiliated G.J. as well as touched him. And, if only in order to avoid the momentary humiliation, he would have been well content to be able to roll back his existence and to have had a military training and to be with them in the sacred and proud uniform.
"Now listen here!" said the Major. "About the aforesaid pretty ladies—"
There they stood together in the corner, hiding several of Rops's eccentricities, ostensibly discussing art, charity, world-politics, the strategy of war, the casualty lists.
Chapter 23 - The Call
*
Christine found the night at the guinea-fowl rather dull. The supper-room, garish and tawdry in its decorations, was functioning as usual. The round tables and the square tables, the tables large and the tables small, were well occupied with mixed parties and couples. Each table had its own yellow illumination, and the upper portion of the room, with a certain empty space in the centre of it, was bafflingly shadowed. Between two high, straight falling curtains could be seen a section of the ball-room, very bright against the curtains, with the figures of dancers whose bodies seemed to be glued to each other, pale to black or pale to khaki, passing slowly and rhythmically across. The rag-time music, over a sort of ground-bass of syncopated tom-tom, surged through the curtains like a tide of the sea of Aphrodite, and bathed everyone at the supper-tables in a mysterious aphrodisiacal fluid. The waiters alone were insensible to its influence. They moved to and fro with the impassivity and disdain of eunuchs separated for ever from the world's temptations. Loud laughs or shrill little shrieks exploded at intervals from the sinister melancholy of the interior.
On Christine's left, at a round table in a corner, sat G.J.; on her right, the handsome boy Molder. On Molder's right, Miss Aida Altown spread her amplitude, and on G.J.'s left was a young girl known to the company as Alice. Major Craive, the host, the splendid quality of whose hospitality was proved by the flowers, the fruit, the bottles, the cigar-boxes and the cigarette-boxes on the table, sat between Alice and Aida Altown.
The three women on principle despised and scorned each other with false warm smiles and sudden outbursts of compliment. Christine knew that the other two detested her as being "one of those French girls" who, under the protection of Free Trade, came to London and, by their lack of scruple and decency, took the bread out of the mouths of the nice, modest, respectable, English girls. She on her side disdained both of them, not merely because they were courtesans (which somehow Christine considered she really was not), but also for their characteristic insipidity, lackadaisicalness and ignorance of the technique of the profession. They expected to be paid for doing nothing.