Contents (91)
- THE PRETTY LADY
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- ARNOLD BENNETT
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- Contents
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- The Pretty Lady
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- Chapter 1 - The Promenade
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- Chapter 2 - The Power
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- Chapter 3 - The Flat
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- Chapter 4 - Confidence
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- Chapter 5 - Ostend
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- Chapter 6 - The Albany
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- Chapter 7 - For the Empire
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- Chapter 8 - Boots
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- Chapter 9 - The Club
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- Chapter 10 - The Mission
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- Chapter 11 - The Telegram
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- Chapter 12 - Rendezvous
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- Chapter 13 - In Committee
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- Chapter 14 - Queen
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- Chapter 15 - Evening Out
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- Chapter 16 - The Virgin
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- Chapter 17 - Sunday Afternoon
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- Chapter 18 - The Mystic
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- Chapter 19 - The Visit
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- Chapter 20 - Mascot
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- Chapter 21 - The Leave-Train
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- Chapter 22 - Getting on with the War
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- Chapter 23 - The Call
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- Chapter 24 - The Soldier
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- Chapter 25 - The Ring
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- Chapter 26 - The Return
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- Chapter 27 - The Clyde
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- Chapter 28 - Salome
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- Chapter 29 - The Streets
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- Chapter 30 - The Child's Arm
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- Chapter 31 - "Romance"
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- Chapter 32 - Mrs. Braiding
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- Chapter 33 - The Roof
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- Chapter 34 - In the Boudoir
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- Chapter 35 - Queen Dead
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- Chapter 36 - Collapse
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- Chapter 37 - The Invisible Powers
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- Chapter 38 - The Victory
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- Chapter 39 - Idyll
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- Chapter 40 - The Window
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- Chapter 41 - The Envoy
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- * * *
Thus in a moment, and with no more than ten phrases, she had conveyed the suggestion that while mere soldiers, ageing men-about-town, and the ingenuous mass of the public might and did foolishly imagine the war to be a simple affair, she herself, by reason of her intelligence and her private sources of knowledge, had a full, unique apprehension of its extremely complex and various formidableness. G.J. resented the familiar attitude, and he resented Queenie's very appearance and the appearance of the entire opulent scene. In his head at that precise instant were not only the statistics of mortality and major operations at the Lechford Hospitals, but also the astounding desolating tales of the handsome boy about folly, ignorance, stupidity and martyrdoms at Suvla.
He said, with the peculiar polite restraint that in him masked emotion and acrimony:
"Yes, I'm glad it's a success. But the machinery of it is perhaps just slightly out of proportion to the results. If people had given to the hospitals what they have spent on clothes to come here and what they've paid painters so that they could see themselves on the walls, we should have made twenty times as much as we have made—a hundred times as much. Why, good god! Queen, the whole afternoon's takings wouldn't buy what you're wearing now, to say nothing of the five hundred other women here." His eye rested on the badge of her half-brother's regiment which she had had reproduced in diamonds.
At this juncture he heard himself addressed in a hearty, heavy voice as "G.J., old soul." An officer with the solitary crown on his sleeve, bald, stoutish, but probably not more than forty-five, touched him—much gentler than he spoke—on the shoulder.
"Craive, my son! You back! Well, it's startling to see you at a picture-show, anyhow."
The Major, saluting Lady Queenie as a distant acquaintance, retorted:
"Morally, you owe me a guinea, my dear G.J. I called at the flat, and the young woman there told me you'd surely be here."
While they were talking G.J. could hear Queenie Paulle and Molder:
"Where are you back from?"
"Suvla, Lady Queenie."
"You must be oozing with interest and actuality. Tell G.J. to bring you to tea one day, quite, quite soon, will you? I'll tell him." And Molder murmured something fatuously conventional. G.J. showed decorously that he had caught his own name. Whereupon Lady Queenie, instead of naming a day for tea, addressed him almost bitterly:
"G.J., what's come over you? What in the name of Pan do you suppose all you males are fighting each other for?" She paused effectively. "Good god! If I began to dress like a housemaid the Germans would be in London in a month. Our job as women is quite delicate enough without you making it worse by any damned sentimental superficiality.... I want you to bring Mr. Molder to tea to-morrow, and if you can't come he must come alone...."
With a last strange look at Molder she retired into the glitter of the crowded larger room.