Contents (91)
- THE PRETTY LADY
- * * *
- ARNOLD BENNETT
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- Contents
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- The Pretty Lady
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- Chapter 1 - The Promenade
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- Chapter 2 - The Power
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- Chapter 3 - The Flat
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- Chapter 4 - Confidence
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- Chapter 5 - Ostend
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- Chapter 6 - The Albany
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- Chapter 7 - For the Empire
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- Chapter 8 - Boots
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- Chapter 9 - The Club
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- Chapter 10 - The Mission
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- Chapter 11 - The Telegram
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- Chapter 12 - Rendezvous
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- Chapter 13 - In Committee
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- Chapter 14 - Queen
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- Chapter 15 - Evening Out
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- Chapter 16 - The Virgin
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- Chapter 17 - Sunday Afternoon
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- Chapter 18 - The Mystic
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- Chapter 19 - The Visit
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- Chapter 20 - Mascot
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- Chapter 21 - The Leave-Train
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- Chapter 22 - Getting on with the War
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- Chapter 23 - The Call
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- Chapter 24 - The Soldier
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- Chapter 25 - The Ring
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- Chapter 26 - The Return
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- Chapter 27 - The Clyde
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- Chapter 28 - Salome
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- Chapter 29 - The Streets
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- Chapter 30 - The Child's Arm
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- Chapter 31 - "Romance"
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- Chapter 32 - Mrs. Braiding
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- Chapter 33 - The Roof
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- Chapter 34 - In the Boudoir
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- Chapter 35 - Queen Dead
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- Chapter 36 - Collapse
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- Chapter 37 - The Invisible Powers
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- Chapter 38 - The Victory
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- Chapter 39 - Idyll
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- Chapter 40 - The Window
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- Chapter 41 - The Envoy
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- * * *
She told him about the closing of the Promenade in a tone of absolute, resigned certainty that admitted of no facile pooh-poohings or reassurances. And then, glancing sidelong at the night-table, where the lamp burned, she extended her half-bared arm and picked up the landlord's notice and gave it to him to read. Watching him read it she inwardly trembled, as though she had started on some perilous enterprise the end of which might be black desperation, as though she had cast off from the shore and was afloat amid the waves of a vast, swollen river—waves that often hid the distant further bank. She felt somehow that she was playing for all or nothing. And though she had had immense experience of men, though it was her special business to handle men, she felt herself to be unskilled and incompetent. The common ruses, feints, devices, guiles, chicaneries were familiar to her; she could employ them as well as any and better than most; they succeeded marvellously and absurdly—in the common embarrassments and emergencies, because they had not to stand the test of time. Their purpose was temporary, and when the purpose had been accomplished it did not matter whether they were unmasked or not, for the adversary-victim—who, in any event, was better treated than he deserved!—either had gone for ever, or would soon forget, or was too proud to murmur, or philosophically accepted a certain amount of wile as part of the price of ecstasy. But this embarrassment and this emergency were not common. They were a supreme crisis.
"The other lady has had notice too," she said, and went on: "It's the same everywhere in this quarter. I know not if it is the same in other districts, but quite probably it is.... It is the end."
She saw by the lifting of his eyebrows that he was impressed, that he secretly admitted the justifiability of her summons to him. And instantly she took a reasonable, wise, calm tone.
"It is a little serious, is it not? I do not frighten myself, but it is serious. Above all, I do not wish to trouble thee. I know all thy anxieties, and I am a woman who understands. But except thee I have not a friend, as I have often told thee. In my heart there is a place only for one. I have a horror of all those women. They weary me. I am not like them, as thou well knowest. Thus my existence is solitary. I have no relations. Not one. See! Go into no matter what interior, and there are photographs. But here—not one. Yes, one. My own. I am forced to regard my own portrait. What would I not give to be able to put on my chimney-piece thy portrait! But I cannot. Do not deceive thyself. I am not complaining. I comprehend perfectly. It is impossible that a woman like me should have thy photograph on her chimney-piece." She smiled, smoothing for a moment the pucker out of her brow. "And lately I see thee so little. Thou comest less frequently. And when thou comest, well—one embraces—a little music—and then pouf! Thou art gone. Is it not so?"