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Contents (91)
  1. THE PRETTY LADY
  2. * * *
  3. ARNOLD BENNETT
  4. *
  5. Contents
  6. *
  7. The Pretty Lady
  8. *
  9. Chapter 1 - The Promenade
  10. *
  11. Chapter 2 - The Power
  12. *
  13. Chapter 3 - The Flat
  14. *
  15. Chapter 4 - Confidence
  16. *
  17. Chapter 5 - Ostend
  18. *
  19. Chapter 6 - The Albany
  20. *
  21. Chapter 7 - For the Empire
  22. *
  23. Chapter 8 - Boots
  24. *
  25. Chapter 9 - The Club
  26. *
  27. Chapter 10 - The Mission
  28. *
  29. Chapter 11 - The Telegram
  30. *
  31. Chapter 12 - Rendezvous
  32. *
  33. Chapter 13 - In Committee
  34. *
  35. Chapter 14 - Queen
  36. *
  37. Chapter 15 - Evening Out
  38. *
  39. Chapter 16 - The Virgin
  40. *
  41. Chapter 17 - Sunday Afternoon
  42. *
  43. Chapter 18 - The Mystic
  44. *
  45. Chapter 19 - The Visit
  46. *
  47. Chapter 20 - Mascot
  48. *
  49. Chapter 21 - The Leave-Train
  50. *
  51. Chapter 22 - Getting on with the War
  52. *
  53. Chapter 23 - The Call
  54. *
  55. Chapter 24 - The Soldier
  56. *
  57. Chapter 25 - The Ring
  58. *
  59. Chapter 26 - The Return
  60. *
  61. Chapter 27 - The Clyde
  62. *
  63. Chapter 28 - Salome
  64. *
  65. Chapter 29 - The Streets
  66. *
  67. Chapter 30 - The Child's Arm
  68. *
  69. Chapter 31 - "Romance"
  70. *
  71. Chapter 32 - Mrs. Braiding
  72. *
  73. Chapter 33 - The Roof
  74. *
  75. Chapter 34 - In the Boudoir
  76. *
  77. Chapter 35 - Queen Dead
  78. *
  79. Chapter 36 - Collapse
  80. *
  81. Chapter 37 - The Invisible Powers
  82. *
  83. Chapter 38 - The Victory
  84. *
  85. Chapter 39 - Idyll
  86. *
  87. Chapter 40 - The Window
  88. *
  89. Chapter 41 - The Envoy
  90. *
  91. * * *

"Are you going? Because I am," said G.J.

Concepcion murmured:

"Don't go."

"I shall go—and so will you, both of you."

"G.J.," Queen mocked him, "you're in a funk."

"I've got courage enough to go, anyhow," said he. "And that's more than you have."

"You're losing your temper."

As a fact he was. He grabbed at Queen, but she easily escaped him. He saw the whiteness of her skirt in the distance of the roof, dimly rising. She was climbing the ladder up the side of the chimney. She stood on the top of the chimney, and laughed again. A gun sounded.

G.J. said no more. Using his flash-lamp he found his way to the ladder-shaft and descended. He was in the warm and sheltered interior of the house; he was in another and a saner world. Robin was at the foot of the ladder; she blinked under his lamp.

"I've had enough of that," he said, and followed her to the illuminated boudoir, where after a certain hesitation she left him. Alone in the boudoir he felt himself to be a very shamed and futile person, and he was still extremely angry. The next moment Concepcion entered the boudoir.

"Ah!" he murmured, curiously appeased.

"You're quite right," said Concepcion simply.

He said:

"Can you give me any reason, Con, why we should make a present of ourselves to the Hun?"

Concepcion repeated:

"You're quite right."

"Is she coming?"

Concepcion made a negative sign. "She doesn't know what fear is, Queen doesn't."

"She doesn't know what sense is. She ought to be whipped, and if I got hold of her I'd whip her."

"She'd like nothing better," said Concepcion.

G.J. removed his overcoat and sat down.

Chapter 34 - In the Boudoir

*

"We aren't so desperately safe even here," said G.J., firmly pursuing the moral triumph which Concepcion's very surprising and comforting descent from the roof had given him.

"Don't go to extremes," she answered.

"No, I won't." He thought of the valetry in the cellars, and the impossible humiliation of joining them; and added: "I merely state." Then, after a moment of silence: "By the way, was it only her idea that I should come along, or did the command come from both of you?" The suspicion of some dark, feminine conspiracy revisited him.

"It was Queen's idea."

"Oh! Well, I don't quite understand the psychology of it."

"Surely that's plain."

"It isn't in the least plain."

Concepcion loosed and dropped her cloak, and, not even glancing at G.J., went to the fire and teased it with the poker. Bending down, with one hand on the graphic and didactic mantelpiece, and staring into the fire, she said:

"Queen's in love with you, of course."

The words were a genuine shock to his sarcastic and rather embittered and bullying mood. Was he to believe them? The vibrant, uttering voice was convincing enough. Was he to show the conventional incredulity proper to such an occasion? Or was he to be natural, brutally natural? He was drawn first to one course and then to the other, and finally spoke at random, by instinct: