Contents (91)
- THE PRETTY LADY
- * * *
- ARNOLD BENNETT
- *
- Contents
- *
- The Pretty Lady
- *
- Chapter 1 - The Promenade
- *
- Chapter 2 - The Power
- *
- Chapter 3 - The Flat
- *
- Chapter 4 - Confidence
- *
- Chapter 5 - Ostend
- *
- Chapter 6 - The Albany
- *
- Chapter 7 - For the Empire
- *
- Chapter 8 - Boots
- *
- Chapter 9 - The Club
- *
- Chapter 10 - The Mission
- *
- Chapter 11 - The Telegram
- *
- Chapter 12 - Rendezvous
- *
- Chapter 13 - In Committee
- *
- Chapter 14 - Queen
- *
- Chapter 15 - Evening Out
- *
- Chapter 16 - The Virgin
- *
- Chapter 17 - Sunday Afternoon
- *
- Chapter 18 - The Mystic
- *
- Chapter 19 - The Visit
- *
- Chapter 20 - Mascot
- *
- Chapter 21 - The Leave-Train
- *
- Chapter 22 - Getting on with the War
- *
- Chapter 23 - The Call
- *
- Chapter 24 - The Soldier
- *
- Chapter 25 - The Ring
- *
- Chapter 26 - The Return
- *
- Chapter 27 - The Clyde
- *
- Chapter 28 - Salome
- *
- Chapter 29 - The Streets
- *
- Chapter 30 - The Child's Arm
- *
- Chapter 31 - "Romance"
- *
- Chapter 32 - Mrs. Braiding
- *
- Chapter 33 - The Roof
- *
- Chapter 34 - In the Boudoir
- *
- Chapter 35 - Queen Dead
- *
- Chapter 36 - Collapse
- *
- Chapter 37 - The Invisible Powers
- *
- Chapter 38 - The Victory
- *
- Chapter 39 - Idyll
- *
- Chapter 40 - The Window
- *
- Chapter 41 - The Envoy
- *
- * * *
What a voyage! What adventures with the charitable people in England! People who resembled nothing else on earth! People who did not understand what life was.... No understanding of that which it is—life! In fine ...! However, she should stay in England. It was the only country in which one could have confidence. She was trying to sell the furniture of her flat in Paris. Complications! Under the emergency law she was not obliged to pay her rent to the landlord; but if she removed her furniture then she would have to pay the rent. What did it matter, though? Besides, she might not be able to sell her furniture after all. Remarkably few women in Paris at that moment were in a financial state to buy furniture. Ah no!
"But I have not told you the tenth part!" said Christine.
"Terrible! Terrible!" murmured the man.
All the heavy sorrow of the world lay on her puckered brow, and floated in her dark glistening eyes. Then she smiled, sadly but with courage.
"I will come to see you again," said the man comfortingly. "Are you here in the afternoons?"
"Every afternoon, naturally."
"Well, I will come—not to-morrow—the day after to-morrow."
Already, long before, interrupting the buttoning of his collar, she had whispered softly, persuasively, clingingly, in the classic manner:
"Thou art content, chéri? Thou wilt return?"
And he had said: "That goes without saying."
But not with quite the same conviction as he now used in speaking definitely of the afternoon of the day after to-morrow. The fact was, he was moved; she too. She had been right not to tell the story earlier, and equally right to tell it before he departed. Some men, most men, hated to hear any tale of real misfortune, at any moment, from a woman, because, of course, it diverted their thoughts.
In thus departing at once the man showed characteristic tact. Her recital left nothing to be said. They kissed again, rather like comrades. Christine was still the vessel of the heavy sorrow of the world, but in the kiss and in their glances was an implication that the effective, triumphant antidote to sorrow might be found in a mutual trust. He opened the door. The Italian woman, yawning and with her hand open, was tenaciously waiting.
Alone, carefully refolding the kimono in its original creases, Christine wondered what the man's name was. She felt that the mysterious future might soon disclose a germ of happiness.
Chapter 6 - The Albany
*
G.J. Hoape—He was usually addressed as "G.J." by his friends, and always referred to as "G.J." by both friends and acquaintances—woke up finally in the bedroom of his flat with the thought:
"To-day I shall see her."
He inhabited one of the three flats at the extreme northern end of the Albany, Piccadilly, W.I. The flat was strangely planned. Its shape as a whole was that of a cube. Imagine the cube to be divided perpendicularly into two very unequal parts. The larger part, occupying nearly two-thirds of the entire cubic space, was the drawing-room, a noble chamber, large and lofty. The smaller part was cut horizontally into two storeys. The lower storey comprised a very small hall, a fair bathroom, the tiniest staircase in London, and G.J.'s very small bedroom. The upper storey comprised a very small dining-room, the kitchen, and servants' quarters.