Back The Philosopher Kings
Chapters (40)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. Epigraphs
  5. 1. Apollo
  6. 2. Arete
  7. 3. Arete
  8. 4. Maia
  9. 5. Arete
  10. 6. Arete
  11. 7. Apollo
  12. 8. Arete
  13. 9. Arete
  14. 10. Maia
  15. 11. Arete
  16. 12. Arete
  17. 13. Apollo
  18. 14. Arete
  19. 15. Arete
  20. 16. Maia
  21. 17. Arete
  22. 18. Arete
  23. 19. Apollo
  24. 20. Arete
  25. 21. Arete
  26. 22. Apollo
  27. 23. Maia
  28. 24. Arete
  29. 25. Arete
  30. 26. Apollo
  31. 27. Arete
  32. 28. Arete
  33. 29. Maia
  34. 30. Arete
  35. 31. Arete
  36. 32. Apollo
  37. Thanks
  38. About the Author
  39. Books by Jo Walton
  40. Newsletter Sign-up

“It was only ever intended as a thought experiment,” I said. Maia had told me that.

“Yes, but here it is, and you and I are living in it.” Ficino grinned.

I swallowed the last of my porridge and gathered our plates together to take to the kitchen. “I should go. I have to learn my lines.”

“Something Plato really wouldn’t have approved of,” Ficino said.

“I know. I’ve never properly understood why he hated drama so much.”

“He thought it was bad for people to feel induced emotions, false emotions.”

I sat down again. “But it’s not. It can be cathartic—and it can be a way of learning about emotions.”

“Plato didn’t want people to learn those emotions. He wanted his ideal guardians to only understand honorable emotions.” Ficino shook his head. “He had a very hopeful view of human nature, when you think about it.”

I laughed. “He did if he thought jealousy and grief and anger could be excluded because we never saw The Myrmidons. I never saw any play until two years ago, unless you count the re-enactments of the Symposium on Plato’s birthday, but I still felt all those things.”

Ficino nodded. “But that’s what he really thought, and so that’s why we excluded drama. Or rather, since almost all of the original Masters were people who loved the art of the ancient world, and much of what survived was drama, we decided to keep drama in the library but not allow it to be acted. Reading it quietly, we thought, wouldn’t have such an emotional effect.”

“Why did you change your minds?” I asked. “Not that I’m not glad you did, because I’m really excited about playing Briseis at the Dionysia.”

“We didn’t change our minds. It was debated several times, and always decided against, until two years ago.”

I was about to ask what happened two years ago, then I realized: the first cohort of Young Ones had become old enough to vote. “Are plays still banned in the other cities?”

“As far as I know they’re allowed in Sokratea and the City of Amazons, but banned in Psyche and Athenia.”

“And is there any difference in how philosophical people are?”

Ficino laughed. “How would you measure that?”

I opened my mouth to answer, but he held up his hand again.

“No, think about it. Write me a paper on it, either an essay or a dialogue, as you prefer.”