“We sat down and wept,” Mary Fraser finished the quote, taking a step away from the image. “The Whore of Babylon.”

“Holy shit,” said Sean Delorme.

*   *   *

Gamache and Henri walked toward the edge of the village. Henri had his ball, and Armand had his script.

He looked down at the title, smeared with dirt from the grave Ruth had dug for it. But it hadn’t rested in peace. He’d dug it up and now it was time he read it.

She Sat Down and Wept.

It could be a coincidence. Almost certainly was. That the title of a play by a serial killer was so similar to the phrase carved onto the side of the weapon of mass destruction.

Coincidences happened, Armand knew. And he knew not to read too much into them. But he also knew not to dismiss them altogether.

He’d planned to read the play at home, in front of the fireplace, but he didn’t want to sully his home. Then he thought he’d take it to the bistro, but decided against that too. For the same reason.

“Aren’t you giving it more power than it deserves?” Reine-Marie had asked.

“Probably.”

But they both knew that words were weapons too, and when fashioned into a story their power was almost limitless. He’d stood on the porch, holding the script.

Where to go?

To a place already sullied beyond redemption, he thought. Though the only place that came to mind was the forest, where a boy had been murdered and a gun designed to kill en masse had sat for decades. But there were too many people and he didn’t want to have to explain himself.

So if not a place that was damned, there was only the alternative. The divine. A place that could withstand the onslaught of John Fleming.

He and Henri walked to the edge of the village. They climbed the stairs to the doors of the old chapel, always unlocked, and stepped inside.

No one was in St. Thomas’s Church but it didn’t feel empty. Perhaps because of the stained-glass boys, there in perpetuity. Sometimes Armand would go up to St. Thomas’s just to visit them.

He sat now on the comfortably cushioned pew and put the play on his lap. Henri lay at Gamache’s feet, his head on his paws.

The two of them looked at the window, created at the end of the Great War. It showed soldiers, impossibly young, clutching guns and moving forward through no-man’s land.

Armand came here sometimes to sit in the light thrown by their images. To sit in their fear and to sit in their courage.

This place was sacred, he knew, not because it was a church but because of those boys.