Chapters (52)
- Title Page
- Copyright Notice
- Dedication
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Author’s Note
- About the Author
- Also by Louise Penny
- Newsletter Sign-up
Myrna had suggested therapy could, over time, rid Fleming of his demons. But Armand Gamache knew that wasn’t true. Because John Fleming was the demon.
And now, from that prison cell, he’d managed to escape. He’d slid out between the bars. In the form of words.
John Fleming was out in the world again.
He’d come to play.
Chapter 5
CHAPTER 5
“What do you want?” Antoinette called into the darkness.
She stood on the brightly lit stage, her hand to her forehead, peering like a mariner looking for land.
“To talk to you,” came Armand’s voice from the theater.
“I think you’ve done enough, don’t you?”
Brian came out of the wings carrying a prop lamp. “Who’re you talking to?”
Armand climbed the steps onto the stage. “Me. Salut, Brian.”
“Are you happy?” Antoinette demanded, walking over to him. “Myrna and Gabri have quit. Brian here has to take over Gabri’s lead role—”
“I do?”
“A play’s hard enough to put on without actors dropping out,” she said.
“You’re going on with the production then?” Gamache asked.
“Of course,” she said. “Despite all your efforts. The other actors are going to be here in a few minutes. I’d like you to leave before you do more damage.”
“Are you going to tell them who wrote the play?”
“Because if I don’t you will? Is that why you’re here? To make sure you well and truly destroy the production? Christ, you’re a fascist after all.”
“I don’t want to debate with you,” said Gamache.
“Of course not, because that would be more free speech,” said Antoinette. For his part, Brian stood by the sofa, still holding the lamp. Like a failed Diogenes.
“Gabri and Myrna made up their own minds,” said Gamache. “But I didn’t try to dissuade them. I think doing the play is wrong.”
“Yes, I got that. But we’re doing it anyway. And you know why? Because while the man might be horrible, his play is extraordinary. If you have your way, no one will ever read it or see it performed. What a champion of the free society.”
“A free society comes at a cost,” he snapped, then reined himself in.
Antoinette smiled. “Hit a nerve, did I? What’re you so afraid of, Armand? The man’s in prison, has been for years. He’ll never get out.”
“I’m not afraid.”
“You’re terrified,” said Antoinette. “If I was casting a man driven by fear, I’d beg you to do the role.”
“I’d like to talk,” said Gamache, ignoring what she just said. “Can we sit down?”
“Fine, but make it quick before the others arrive.”
“Can I join you?” Brian asked, putting the lamp down. “Or is this private?”
“Yes,” said Armand. “This involves you too.”