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Chapters (52)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. Chapter 9
  13. Chapter 10
  14. Chapter 11
  15. Chapter 12
  16. Chapter 13
  17. Chapter 14
  18. Chapter 15
  19. Chapter 16
  20. Chapter 17
  21. Chapter 18
  22. Chapter 19
  23. Chapter 20
  24. Chapter 21
  25. Chapter 22
  26. Chapter 23
  27. Chapter 24
  28. Chapter 25
  29. Chapter 26
  30. Chapter 27
  31. Chapter 28
  32. Chapter 29
  33. Chapter 30
  34. Chapter 31
  35. Chapter 32
  36. Chapter 33
  37. Chapter 34
  38. Chapter 35
  39. Chapter 36
  40. Chapter 37
  41. Chapter 38
  42. Chapter 39
  43. Chapter 40
  44. Chapter 41
  45. Chapter 42
  46. Chapter 43
  47. Chapter 44
  48. Chapter 45
  49. Author’s Note
  50. About the Author
  51. Also by Louise Penny
  52. Newsletter Sign-up

“I sent them over to Ruth.” He placed his large hand on her tiny one. “I was afraid, and I just wanted to get rid of them. Of him.” He squeezed Ruth’s hand. “I’ve never forgiven myself that cowardice.”

“But who was he?” asked Gamache.

“You know him,” said Ruth.

Gamache thought, his lips moving slightly as he murmured to himself, going through the possibilities. Then he finally shook his head.

“I don’t know who you mean.”

“The third man in that picture,” said Ruth.

“What picture?”

“The one you showed me. With Gerald Bull and Guillaume.”

“This one?” He reached into his breast pocket and pulled out the old black-and-white photo taken at the Atomium in Brussels.

There was the grinning, almost buffoonish Guillaume Couture. The taciturn Gerald Bull.

And one other. His head down and away from the camera.

“Would I meet your eyes, and stand,/rooted and speechless,” said Ruth. “While the pavement cracked to pieces/and the sky fell down.”

Gamache looked at her.

“I wrote it after he left.” She gestured to the photograph. “After I sent him on. I did the same thing, Clément. I threw them Al Lepage, in the hopes they’d take him and leave me. I’d have done anything to get rid of him. After Gerald Bull left, the project manager returned. Alone. He knocked on the door and that’s when he asked if I could write a few lines to accompany the drawing of the Whore of Babylon. I told him I couldn’t. I told him I wasn’t really a poet. That it was just a lie I told myself.”

Her hands were trembling now, and while Monsieur Béliveau held one, Armand took the other.

“When he left I went up to St. Thomas’s,” she said, looking at the small clapboard chapel. “I prayed he’d never come calling again. I sat there and cried for shame. For what I’d done. Then I wrote those words, sitting in the pew, and didn’t write again for a decade.”

Gamache looked down at the black-and-white photograph. It seemed, in just that instant, that the third man tilted his face up. And looked straight at him.

Would I meet your eyes, and stand,/rooted and speechless.

The blood ran from his face and his hands grew cold and Armand Gamache knew who it was.

While the pavement cracked to pieces/and the sky fell down.

“It’s John Fleming,” he said beneath his breath.

“Yes,” said Ruth, her cold hand squeezing his. “The rough beast.”

Chapter 34

CHAPTER 34

Ten lambs were lined up down the center of the conference table in the Incident Room, facing Al and Evie Lepage.