Back The Nature of the Beast
Chapters (52)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. Chapter 9
  13. Chapter 10
  14. Chapter 11
  15. Chapter 12
  16. Chapter 13
  17. Chapter 14
  18. Chapter 15
  19. Chapter 16
  20. Chapter 17
  21. Chapter 18
  22. Chapter 19
  23. Chapter 20
  24. Chapter 21
  25. Chapter 22
  26. Chapter 23
  27. Chapter 24
  28. Chapter 25
  29. Chapter 26
  30. Chapter 27
  31. Chapter 28
  32. Chapter 29
  33. Chapter 30
  34. Chapter 31
  35. Chapter 32
  36. Chapter 33
  37. Chapter 34
  38. Chapter 35
  39. Chapter 36
  40. Chapter 37
  41. Chapter 38
  42. Chapter 39
  43. Chapter 40
  44. Chapter 41
  45. Chapter 42
  46. Chapter 43
  47. Chapter 44
  48. Chapter 45
  49. Author’s Note
  50. About the Author
  51. Also by Louise Penny
  52. Newsletter Sign-up

She looked to Lacoste like her daughter. Only her daughter was seven and this woman must’ve been forty-five. The woman wore clothes more suited to an infant. A bow was in her spiky purple hair. She wore a flowered skirt, short and tight around her ample bottom, and a tank top, tight around her ample top, under a bright pink sweater. If a candy store vomited, Antoinette would be the result.

“That’s Antoinette Lemaitre and her partner, Brian Fitzpatrick,” said Reine-Marie. “She’s the artistic director of the Knowlton Playhouse. They’re coming over for dinner tonight.”

“We’ll be there too,” said Gabri. “We’re trying to get Armand and Reine-Marie to join us.”

“Join?” said Isabelle. “Us?”

“The Estrie Players,” said Myrna. “I’ve been trying to convince Clara to join too. Not to act, necessarily, but maybe to paint sets. Anything to get her out of that studio. She just stares at that half-finished portrait of Peter all day long. I don’t think she’s lifted her brush in weeks.”

“That painting gives me the creeps,” said Gabri.

“Isn’t it a bit overkill, though?” said Reine-Marie. “Getting one of the top painters in Canada to do sets for an amateur production?”

“Picasso painted sets,” said Myrna.

“For the Ballets Russes,” Reine-Marie pointed out.

“I bet if he lived here he’d do our sets,” said Gabri. “If anyone could convince him, she could.”

He gestured toward Antoinette and Brian, who were approaching the table.

“How was rehearsal?” Reine-Marie asked, after introducing them to Isabelle Lacoste.

“It would be better if this one”—Antoinette jerked her head toward Gabri—“listened to my direction.”

“I need to be free to make my own creative choices.”

“You’re playing him gay,” said Antoinette.

“I am gay,” said Gabri.

“But the character is not. He’s just coming out of a ruined marriage.”

“Oui. Coming out. Because he’s…?” said Gabri, leaning toward her.

“Gay?” asked Brian.

Antoinette laughed. It was full and hearty and unrestrained and Isabelle liked her.

“Okay, play him any way you like,” Antoinette said. “It doesn’t really matter. The play’s going to be a hit. Even you can’t mess it up.”

“That’s on the poster,” Brian confided. “Even Gabri Can’t Mess This Up.”

He put his hands up in front of him to indicate a huge banner.

Reine-Marie laughed and knew it might actually be true, and a good selling point.

“What part do you play?” Isabelle asked Myrna.

“The owner of the boardinghouse. I was going to play it as a gay man, but since Gabri already claimed that territory I decided to go in a different direction.”

“She’s playing her as a large black woman,” said Gabri. “Inspired.”

“Thank you, darling,” said Myrna, and the two air-kissed.