Contents ( 25)
- THE MYSTERY OF EDWIN DROOD
- CHAPTER I—THE DAWN
- CHAPTER II—A DEAN, AND A CHAPTER ALSO
- CHAPTER III—THE NUNS’ HOUSE
- CHAPTER IV—MR. SAPSEA
- CHAPTER V—MR. DURDLES AND FRIEND
- CHAPTER VI—PHILANTHROPY IN MINOR CANON CORNER
- CHAPTER VII—MORE CONFIDENCES THAN ONE
- CHAPTER VIII—DAGGERS DRAWN
- CHAPTER IX—BIRDS IN THE BUSH
- CHAPTER X—SMOOTHING THE WAY
- CHAPTER XI—A PICTURE AND A RING
- CHAPTER XII—A NIGHT WITH DURDLES
- CHAPTER XIII—BOTH AT THEIR BEST
- CHAPTER XIV—WHEN SHALL THESE THREE MEET AGAIN?
- CHAPTER XV—IMPEACHED
- CHAPTER XVI—DEVOTED
- CHAPTER XVII—PHILANTHROPY, PROFESSIONAL AND UNPROFESSIONAL
- CHAPTER XVIII—A SETTLER IN CLOISTERHAM
- CHAPTER XIX—SHADOW ON THE SUN-DIAL
- CHAPTER XX—A FLIGHT
- CHAPTER XXI—A RECOGNITION
- CHAPTER XXII—A GRITTY STATE OF THINGS COMES ON
- CHAPTER XXIII—THE DAWN AGAIN
- APPENDIX: FRAGMENT OF “THE MYSTERY OF EDWIN DROOD”
‘If you really suppose,’ Rosa pleads with him, turning paler, ‘that I favour Mr. Landless, or that Mr. Landless has ever in any way addressed himself to me, you are wrong.’
He puts that from him with a slighting action of his hand and a curled lip.
‘I was going to show you how madly I love you. More madly now than ever, for I am willing to renounce the second object that has arisen in my life to divide it with you; and henceforth to have no object in existence but you only. Miss Landless has become your bosom friend. You care for her peace of mind?’
‘I love her dearly.’
‘You care for her good name?’
‘I have said, sir, I love her dearly.’
‘I am unconsciously,’ he observes with a smile, as he folds his hands upon the sun-dial and leans his chin upon them, so that his talk would seem from the windows (faces occasionally come and go there) to be of the airiest and playfullest—‘I am unconsciously giving offence by questioning again. I will simply make statements, therefore, and not put questions. You do care for your bosom friend’s good name, and you do care for her peace of mind. Then remove the shadow of the gallows from her, dear one!’
‘You dare propose to me to—’
‘Darling, I dare propose to you. Stop there. If it be bad to idolise you, I am the worst of men; if it be good, I am the best. My love for you is above all other love, and my truth to you is above all other truth. Let me have hope and favour, and I am a forsworn man for your sake.’
Rosa puts her hands to her temples, and, pushing back her hair, looks wildly and abhorrently at him, as though she were trying to piece together what it is his deep purpose to present to her only in fragments.
‘Reckon up nothing at this moment, angel, but the sacrifices that I lay at those dear feet, which I could fall down among the vilest ashes and kiss, and put upon my head as a poor savage might. There is my fidelity to my dear boy after death. Tread upon it!’
With an action of his hands, as though he cast down something precious.
‘There is the inexpiable offence against my adoration of you. Spurn it!’
With a similar action.
‘There are my labours in the cause of a just vengeance for six toiling months. Crush them!’
With another repetition of the action.
‘There is my past and my present wasted life. There is the desolation of my heart and my soul. There is my peace; there is my despair. Stamp them into the dust; so that you take me, were it even mortally hating me!’
The frightful vehemence of the man, now reaching its full height, so additionally terrifies her as to break the spell that has held her to the spot. She swiftly moves towards the porch; but in an instant he is at her side, and speaking in her ear.