His preservation of his easy attitude rendering his working features and his convulsive hands absolutely diabolical, he returns, with a fierce extreme of admiration:

‘How beautiful you are! You are more beautiful in anger than in repose. I don’t ask you for your love; give me yourself and your hatred; give me yourself and that pretty rage; give me yourself and that enchanting scorn; it will be enough for me.’

Impatient tears rise to the eyes of the trembling little beauty, and her face flames; but as she again rises to leave him in indignation, and seek protection within the house, he stretches out his hand towards the porch, as though he invited her to enter it.

‘I told you, you rare charmer, you sweet witch, that you must stay and hear me, or do more harm than can ever be undone. You asked me what harm. Stay, and I will tell you. Go, and I will do it!’

Again Rosa quails before his threatening face, though innocent of its meaning, and she remains. Her panting breathing comes and goes as if it would choke her; but with a repressive hand upon her bosom, she remains.

‘I have made my confession that my love is mad. It is so mad, that had the ties between me and my dear lost boy been one silken thread less strong, I might have swept even him from your side, when you favoured him.’

A film comes over the eyes she raises for an instant, as though he had turned her faint.

‘Even him,’ he repeats. ‘Yes, even him! Rosa, you see me and you hear me. Judge for yourself whether any other admirer shall love you and live, whose life is in my hand.’

‘What do you mean, sir?’

‘I mean to show you how mad my love is. It was hawked through the late inquiries by Mr. Crisparkle, that young Landless had confessed to him that he was a rival of my lost boy. That is an inexpiable offence in my eyes. The same Mr. Crisparkle knows under my hand that I have devoted myself to the murderer’s discovery and destruction, be he whom he might, and that I determined to discuss the mystery with no one until I should hold the clue in which to entangle the murderer as in a net. I have since worked patiently to wind and wind it round him; and it is slowly winding as I speak.’

‘Your belief, if you believe in the criminality of Mr. Landless, is not Mr. Crisparkle’s belief, and he is a good man,’ Rosa retorts.

‘My belief is my own; and I reserve it, worshipped of my soul! Circumstances may accumulate so strongly even against an innocent man, that directed, sharpened, and pointed, they may slay him. One wanting link discovered by perseverance against a guilty man, proves his guilt, however slight its evidence before, and he dies. Young Landless stands in deadly peril either way.’