Back The Mountain in the Sea
Chapters (58)
  1. Copyright Notice
  2. Dedication
  3. I Qualia
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. Chapter 9
  13. Chapter 10
  14. Chapter 11
  15. Chapter 12
  16. II Umwelt
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. III Semiosphere
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. IV Autopoiesis
  43. Chapter 37
  44. Chapter 38
  45. Chapter 39
  46. Chapter 40
  47. Chapter 41
  48. Chapter 42
  49. Chapter 43
  50. Chapter 44
  51. Chapter 45
  52. Chapter 46
  53. Chapter 47
  54. Chapter 48
  55. Epilogue
  56. Acknowledgments
  57. A Note About the Author
  58. Newsletter Sign-up

“I remember. I have practically the whole theory memorized: The octopus would have to develop symbols—an arbitrary way to encode lots of different, abstract information. One that was stable, and self-referential. The octopus would have to separate off one of their functions from the others and use that function to produce intelligible meaning.”

“Exactly! It happened with our own speech as well—we adapted a breathing and eating apparatus into a speech apparatus. And that is what the octopus was doing—exapting. It was using the passing cloud, but using it to speak.”

“That’s a bold statement. A pretty big jump in—”

“Let me finish! The octopus would move the passing cloud patterns across its mantle and head, and then stop them on its hood, and hold them there. And the patterns were complex, but specific. Far beyond the normal, quick shadow you see when it’s trying to get a crab to reveal its hiding place. This was like … like Rorschach symbols. At first there was a sequence of them, very fast. Then the octopus darkened all over for a moment, before turning white again. After its skin went pale the second time, it slowed the shapes down. First it produced a sequence: the same, as far as I could tell, as it was producing before. But then it began to produce only one shape. It brought it down slowly, across its mantle and head, and then held it on its spread-out hood.”

“Describe it. The shape.”

“It was a downward-facing crescent. But there was also a long, pointed streak at the lower pole of the crescent. Here. I’ll draw it.”

Ha drew on a piece of palimpscreen on her bedside table and held it up to the oculus.

“About like that. Rougher around the edges, but like that. It reproduced that same shape nine or ten times. Then it jetted up, out of the camera range. It must have grabbed the submersible from behind: the camera jerked, and was pulled farther into the wreck. Everything after that was a blur. The submersible was being yanked around quickly, and its camera couldn’t focus.

“But then it came to a stop. Most of the camera was obscured by one of the octopus’s arms. There were streaks across the image as well—electrical qualia, probably caused when the submersible’s hull began to breach and the first salt water hit the electronics. The octopus was tearing the submersible open. Just before it went dark, I saw…”

Ha stopped. Outside, there was a sound, in the distance. A sort of crump. Then again.

Crump.

A flash of light penetrated the room’s curtains.

“Kamran, something is happening. I have to go.”

Crump.

“I’ll be back. I have to see—”

“I understand. We’ll talk later. Anyway, I was about to go for a run.”

“Liar.”

“You never know what bad habits I’ll develop while you’re away.”

The oculus went dark.

Crump.