Back The Mountain in the Sea
Chapters (58)
  1. Copyright Notice
  2. Dedication
  3. I Qualia
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. Chapter 9
  13. Chapter 10
  14. Chapter 11
  15. Chapter 12
  16. II Umwelt
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. III Semiosphere
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. IV Autopoiesis
  43. Chapter 37
  44. Chapter 38
  45. Chapter 39
  46. Chapter 40
  47. Chapter 41
  48. Chapter 42
  49. Chapter 43
  50. Chapter 44
  51. Chapter 45
  52. Chapter 46
  53. Chapter 47
  54. Chapter 48
  55. Epilogue
  56. Acknowledgments
  57. A Note About the Author
  58. Newsletter Sign-up

“Don’t sum it up.” Kamran was wearing his peach sweatpants, which Ha particularly hated, and a ratty T-shirt. But at least he was at home: she could glimpse, at the hazy edge of the projection cast by the terminal’s oculus, the familiar shape of a kitchen chair. “Just walk me through what you saw.”

“Shouldn’t you be in bed?”

“I’m not up late—I’m up early. Being productive. You’re the one who’s up late. Now lay it out for me, so you can go to sleep.”

“Okay. You could make out the outline of the wreck, lying on its port side, once the submersible got close enough. You could see schools of fish swirling in the haze, and the darkness of the hatch. Evrim tells me it’s the hatch into the area of the ship where a man was killed…”

“Stick to what you saw. Don’t go into details other people passed on to you.”

“Right. As the submersible passed through the hatch into that darker space, it switched on a brighter flood. For a second the floodlight overwhelmed the camera. Everything turned white. Then it recovered. And that was when I saw it for the first time. The interior of that compartment was crusted over with growth—budding coral, shellfish—and against that background it was hard to make it out, but I saw it move. The octopus. It had been almost perfectly camouflaged. Then it shifted. When it did, it darkened. It retained the wall’s pattern but darkened its skin. Like a blush of anger. I’ve seen that darkening so many times before in the octopuses I’ve observed—I knew what it was right away: irritation.

“The submersible started to turn to the right, panning to get a better shot of the space. As it turned, the octopus detached itself from the wall and moved to the right as well. The submersible started to pan left. And then there it was, two meters from the submersible. It was in the full ‘Nosferatu’ pose—standing tall, on the bulkhead of the ship, with its mantle up vertically above its head, arms and web spread. The threat pose. But usually they are dark in this pose. This one wasn’t: it was almost white. And it was big. It was hard to get an exact sense of scale, but it was at least as tall as a person, when elongated. Taller.”

“What you saw. Concentrate on that.”

“Right. So—it began to make passing cloud patterns. They were recognizably the ones an octopus would normally use to startle prey—to get it to make an incautious move—but they were altered. I remember thinking, I knew it—I had predicted that this is exactly the function the octopus would exapt to communicate with: this prey-startling device that wasn’t essential to survival. Remember? I said—”