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The Magpies

Mark Edwards
Chapters (33)
  1. Copyright
  2. Prologue
  3. Chapter One
  4. Chapter Two
  5. Chapter Three
  6. Chapter Four
  7. Chapter Five
  8. Chapter Six
  9. Chapter Seven
  10. Chapter Eight
  11. Chapter Nine
  12. Chapter Ten
  13. Chapter Eleven
  14. Chapter Twelve
  15. Chapter Thirteen
  16. Chapter Fourteen
  17. Chapter Fifteen
  18. Chapter Sixteen
  19. Chapter Seventeen
  20. Chapter Eighteen
  21. Chapter Nineteen
  22. Chapter Twenty
  23. Chapter Twenty-one
  24. Chapter Twenty-two
  25. Chapter Twenty-three
  26. Chapter Twenty-four
  27. Chapter Twenty-five
  28. Chapter Twenty-six
  29. Chapter Twenty-seven
  30. Chapter Twenty-eight
  31. Epilogue
  32. Acknowledgments
  33. About the Author

The Magpies

A Psychological Thriller

Mark Edwards

Copyright

Copyright © 2013, Mark Edwards

Contents

Copyright

Prologue

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-one

Chapter Twenty-two

Chapter Twenty-three

Chapter Twenty-four

Chapter Twenty-five

Chapter Twenty-six

Chapter Twenty-seven

Chapter Twenty-eight

Epilogue

Acknowledgments

About the Author

Prologue

Prologue

She crossed out ‘Paradise’ and wrote ‘Hell’ in its place. The caption didn’t fit the photograph any more. She felt like tearing up the whole album, ripping each picture to shreds, or throwing it on a fire, watching her memories burn. But even that would not erase the images from her mind: they were locked inside her, and she could only hope that time would erode them. More than anything else, she wanted to forget.

It was hard to believe they had once been so happy here. No, that wasn’t right. Looking around at the bare walls, the carpet that bore the imprints of their furniture –which was now waiting in the van outside, ready to be transported to their new home far away from here – it was easy to believe how happy they’d been.

At this moment, the flat looked almost exactly as it had the day they’d moved in: untainted, full of promise, like a blank sheet of paper. Just as it did in the photograph she’d relabelled. Her dad – who had helped them move in – had taken the snap: her and David in the empty room, his arm around her waist, watery sunlight flooding the room. When the photo was developed she stuck it on the first page of the album, writing ‘Paradise’ beside it because that was what it represented. Her and David, looking at the future, full of excitement and hope.

She closed the album and threw it into a packing crate.

She heard voices outside and shivered. For months she had been hearing them, all night, every night, babbling men and women’s voices, sometimes whispering, or shouting, or just talking, talking, never shutting up. She had to sleep with headphones on. She had tried earplugs but somehow the voices got through. The only way she could drown them out was by playing slow, orchestral music that flowed into her dreams and created a soundtrack to her nocturnal life.