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Chapters (40)
  1. Cover
  2. Praise for The Lady Upstairs
  3. Dedication
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. Chapter 9
  13. Chapter 10
  14. Chapter 11
  15. Chapter 12
  16. Chapter 13
  17. Chapter 14
  18. Chapter 15
  19. Chapter 16
  20. Chapter 17
  21. Chapter 18
  22. Chapter 19
  23. Chapter 20
  24. Chapter 21
  25. Chapter 22
  26. Chapter 23
  27. Chapter 24
  28. Chapter 25
  29. Chapter 26
  30. Chapter 27
  31. Chapter 28
  32. Chapter 29
  33. Chapter 30
  34. Chapter 31
  35. Chapter 32
  36. Acknowledgments
  37. Discussion Guide
  38. A Conversation with Halley Sutton
  39. About the Author
  40. What’s next onyour reading list?

In the noir genre, there is almost nothing more dangerous than the sexually empowered woman. I wanted to take that fear and danger and make it explicit for my femmes fatales—what if they really were using their sexuality to destroy men? It felt like both a timeless and a timely idea.

I think representation in fiction is always important. But I also think when writing about sex it wasn’t possible to imagine some of my characters not being fluid in their sexuality—that’s just not true to life, and it didn’t feel true to Jo or Lou, either. But I don’t think I ever specifically label them in the book, because I don’t think Jo would label herself as anything. It’s not Jo’s relationship to sex or to being queer that’s hardest for her to deal with in the novel; it’s the fact that she has feelings for Lou (and Jackal!) at all, that it’s not actually possible for her to be the hardened woman she’s always striving to be.

What do you hope readers take away from Jo and her story? What lessons can we learn from Jo’s example?

At the end of the novel, Jo speculates that the business started as a way for women to take back power, before pivoting into another way to assert power, and that original idea isn’t flawed per se. But eventually, if you’re working within an institutionalized system that prioritizes money over people, any good that might have happened along the way becomes secondary. I think there’s strength in community and standing up to power and the patriarchy, but I don’t know if it’s possible for that not to be corrupted when it becomes about the individual.

What is next for you?

Hopefully twenty-five more books with my name on them.

About the Author

Photo of the author © 2019 by Faizah Rajput

HALLEY SUTTON is a writer and editor who lives in Los Angeles. She is a frequent contributor to CrimeReads and a mentor for Pitch Wars, a program pairing published authors with up-and-coming writers. She holds a bachelor’s degree in creative writing from the University of California, Santa Cruz, and a master’s degree in writing from Otis College of Art and Design. The Lady Upstairs is her debut novel.

Visit Halley Sutton Online

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