Back The Lady or the Lion
Chapters (52)
  1. Cover
  2. Dedication
  3. Epigraph
  4. The Trial
  5. Chapter One
  6. Chapter Two
  7. Chapter Three
  8. Chapter Four
  9. Chapter Five
  10. Chapter Six
  11. Chapter Seven
  12. Chapter Eight
  13. Chapter Nine
  14. Chapter Ten
  15. Chapter Eleven
  16. Chapter Twelve
  17. Chapter Thirteen
  18. Chapter Fourteen
  19. Chapter Fifteen
  20. Chapter Sixteen
  21. Chapter Seventeen
  22. Chapter Eighteen
  23. Chapter Nineteen
  24. Chapter Twenty
  25. Chapter Twenty-One
  26. Chapter Twenty-Two
  27. Chapter Twenty-Three
  28. Chapter Twenty-Four
  29. Chapter Twenty-Five
  30. Chapter Twenty-Six
  31. Chapter Twenty-Seven
  32. Chapter Twenty-Eight
  33. Chapter Twenty-Nine
  34. Chapter Thirty
  35. Chapter Thirty-One
  36. Chapter Thirty-Two
  37. Chapter Thirty-Three
  38. Chapter Thirty-Four
  39. Chapter Thirty-Five
  40. Chapter Thirty-Six
  41. Chapter Thirty-Seven
  42. Chapter Thirty-Eight
  43. A Parting Riddle
  44. Glossary
  45. Acknowledgments
  46. About the Author
  47. Author’s Note
  48. Author Q&A
  49. For Further Discussion
  50. Also by CamCat Books
  51. Shadows Over London
  52. CamCat Books

When I first began imagining the story that would become The Lady or the Lion, I did not consider creating a world inspired by my own cultural heritage. I had never seen it done before, and it almost seemed as if I was not “allowed” to do so. Originally, the backdrop of the story remained a vaguely Western world, just like many of the other novels populating the young adult sphere. However, that spring I visited Pakistan, and while most of the time I stayed in Islamabad, we did take a trip farther north. I loved the beautiful sights, and as I developed my story further, it struck me that those gorgeous mountains and lush scenery would be the perfect background to the story I wanted to write. And it was not just that—I realized I wanted to incorporate the country I loved so dearly into my book.

There weren’t any young adult novels I could think of that drew upon Pakistan’s beauty and customs, on its food and clothing and culture. When a novel I read even offhandedly mentioned Pakistan or Pakistanis, I was thrilled, as if that simple acknowledgement confirmed my existence. Would it not mean so much more for me to write an entire book inspired by Pakistan?

So basing the world of my novel on Pakistan and Pakistani culture came from a place of love and self-indulgence. Once I began writing, I realized just how much there was to explore. It gave me space to write the story I always yearned to read while growing up, with clever references to dramas, poetry, films, and proverbs, with mention of specific food dishes and types of clothing and familial relations.

While I recognize many of these references are niche, and perhaps many readers will not recognize them, it will be all the more special for those who will. Most importantly, I wrote the book that I loved, and I really had fun writing it.

Unfortunately, most people’s perception of Pakistan is stuck in stereotypes. I hope that my book can mitigate those prejudices and show people that the country has a rich history and traditions full of vibrancy and beauty. Through my words, I hope people can fall in love with the culture that I adore so deeply.

Author Q&A

Q: What inspired you to write The Lady or the Lion?

A: The short story “The Lady or the Tiger?”! I found it so compelling and was desperate to learn more once it was over. I started to think about what I thought of the princess, and the story took root from there. The setting was inspired by my family’s home country of Pakistan, which I love to visit, and the culture I am so proud to call my own.

Q: Tell us how The Lady or the Lion retells “The Lady, or the Tiger?” and how you put your own twist on it to turn it into something original?