Chapters (52)
- Cover
- Dedication
- Epigraph
- The Trial
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Chapter Six
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Chapter Ten
- Chapter Eleven
- Chapter Twelve
- Chapter Thirteen
- Chapter Fourteen
- Chapter Fifteen
- Chapter Sixteen
- Chapter Seventeen
- Chapter Eighteen
- Chapter Nineteen
- Chapter Twenty
- Chapter Twenty-One
- Chapter Twenty-Two
- Chapter Twenty-Three
- Chapter Twenty-Four
- Chapter Twenty-Five
- Chapter Twenty-Six
- Chapter Twenty-Seven
- Chapter Twenty-Eight
- Chapter Twenty-Nine
- Chapter Thirty
- Chapter Thirty-One
- Chapter Thirty-Two
- Chapter Thirty-Three
- Chapter Thirty-Four
- Chapter Thirty-Five
- Chapter Thirty-Six
- Chapter Thirty-Seven
- Chapter Thirty-Eight
- A Parting Riddle
- Glossary
- Acknowledgments
- About the Author
- Author’s Note
- Author Q&A
- For Further Discussion
- Also by CamCat Books
- Shadows Over London
- CamCat Books
When I first began imagining the story that would become The Lady or the Lion, I did not consider creating a world inspired by my own cultural heritage. I had never seen it done before, and it almost seemed as if I was not “allowed” to do so. Originally, the backdrop of the story remained a vaguely Western world, just like many of the other novels populating the young adult sphere. However, that spring I visited Pakistan, and while most of the time I stayed in Islamabad, we did take a trip farther north. I loved the beautiful sights, and as I developed my story further, it struck me that those gorgeous mountains and lush scenery would be the perfect background to the story I wanted to write. And it was not just that—I realized I wanted to incorporate the country I loved so dearly into my book.
There weren’t any young adult novels I could think of that drew upon Pakistan’s beauty and customs, on its food and clothing and culture. When a novel I read even offhandedly mentioned Pakistan or Pakistanis, I was thrilled, as if that simple acknowledgement confirmed my existence. Would it not mean so much more for me to write an entire book inspired by Pakistan?
So basing the world of my novel on Pakistan and Pakistani culture came from a place of love and self-indulgence. Once I began writing, I realized just how much there was to explore. It gave me space to write the story I always yearned to read while growing up, with clever references to dramas, poetry, films, and proverbs, with mention of specific food dishes and types of clothing and familial relations.
While I recognize many of these references are niche, and perhaps many readers will not recognize them, it will be all the more special for those who will. Most importantly, I wrote the book that I loved, and I really had fun writing it.
Unfortunately, most people’s perception of Pakistan is stuck in stereotypes. I hope that my book can mitigate those prejudices and show people that the country has a rich history and traditions full of vibrancy and beauty. Through my words, I hope people can fall in love with the culture that I adore so deeply.
Author Q&A
Q: What inspired you to write The Lady or the Lion?
A: The short story “The Lady or the Tiger?”! I found it so compelling and was desperate to learn more once it was over. I started to think about what I thought of the princess, and the story took root from there. The setting was inspired by my family’s home country of Pakistan, which I love to visit, and the culture I am so proud to call my own.
Q: Tell us how The Lady or the Lion retells “The Lady, or the Tiger?” and how you put your own twist on it to turn it into something original?