Chapters (118)
- Title Page
- Welcome
- Dedication
- Epigraph
- THE POISONWOOD TREE
- Chapter 1
- THE QUEUE
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Robert Moreno Homicide
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- CHAMELEONS
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- SLICE
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- THE MILLION-DOLLAR BULLET
- Chapter 56
- Chapter 57
- Robert Moreno Homicide
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- SMOKE
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
- Chapter 86
- Chapter 87
- Chapter 88
- Chapter 89
- Chapter 90
- Chapter 91
- Chapter 92
- MESSAGES
- Chapter 93
- Chapter 94
- Chapter 95
- Chapter 96
- Chapter 97
- Chapter 98
- WHEN YOU MOVE…
- Chapter 99
- The Recipes of Jacob Swann
- Acknowledgments
- About the Author
- Also by Jeffery Deaver
- Thank you for buying this ebook, published by Hachette Digital.
- Contents
- Copyright
Jerry, the manager, was a lanky young man with more extensive tats on his arms than a manager for a national franchise coffee shop probably should have. Even one headquartered in Portland. He shook her hand firmly, snuck a glance toward her hips. Men often did this—not checking out the body; he wanted a glimpse of her gun.
The dozen people here were all busy—typing on or examining some electronic device or another. A few were reading from paper. Only one, an elderly woman, was sitting quietly, looking out the window and doing nothing but leisurely enjoying a cup of coffee.
Jerry asked, “Would you like something? On the house?”
She declined. She wanted to get to the one lead in the case that had the potential to pay off.
“Just like to check out the security videos.”
“Sure,” he said, trying for another look at her weapon. She was glad she’d kept the jacket buttoned. She knew he’d want to ask her if she’d used it recently. And talk calibers.
Men. Sex or guns.
“Now, we’ve got one camera there.” He pointed above the cash register. “Everybody who comes in’ll get photographed at least once, pretty up close. What did this guy upload? Like insider information?”
“Like that, yes.”
“Bankers. Man, don’t you just hate ’em? And two other cameras.” Pointing.
One was mounted on a side wall and it scanned back and forth slowly like a lawn sprinkler. The tables were arranged perpendicularly to the camera, which meant that while patrons might not be visible head-on, it was likely she would get a clear profile shot of the whistleblower.
Good.
The other camera scanned a small alcove to the left of the main door, with only four tables inside. This too would get good side images of the patrons and was closer to those tables than the first camera was to those in the main room.
“Let’s see the video,” she said.
“It’s in the office. After you.” He extended his arm, covered with a multicolored tattoo of some Chinese writing, hundreds of characters long.
Sachs couldn’t help but think, What could it possibly say that was worth the pain?
Not to mention how he’s going to explain it to his grandkids.
Chapter 30
CHAPTER 30
MAN, THE ALLEY ON A WARM AFTERNOON.
Gross.
New York City alleys had a kind of charm, you looked at it one way: They were sort of like history moved into the present day, like in a museum. The fronts of the apartments and—here in Little Italy—the shops changed every generation but the alleys were pretty much what they would’ve been a century ago. Decorated with faded metal and wooden signs giving delivery directions and warnings. Use Chocks for Your WAGON! The walls, brick and stone, were unpainted, unwashed, shabby. Uneven, improvised doors, loading docks, pipes that led nowhere and wires that you didn’t dare touch.