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Chapters (118)
  1. Title Page
  2. Welcome
  3. Dedication
  4. Epigraph
  5. THE POISONWOOD TREE
  6. Chapter 1
  7. THE QUEUE
  8. Chapter 2
  9. Chapter 3
  10. Chapter 4
  11. Chapter 5
  12. Chapter 6
  13. Chapter 7
  14. Chapter 8
  15. Chapter 9
  16. Chapter 10
  17. Chapter 11
  18. Chapter 12
  19. Robert Moreno Homicide
  20. Chapter 14
  21. Chapter 15
  22. Chapter 16
  23. Chapter 17
  24. Chapter 18
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. CHAMELEONS
  31. Chapter 24
  32. Chapter 25
  33. Chapter 26
  34. Chapter 27
  35. Chapter 28
  36. Chapter 29
  37. Chapter 30
  38. Chapter 31
  39. Chapter 32
  40. Chapter 33
  41. Chapter 34
  42. Chapter 35
  43. Chapter 36
  44. Chapter 37
  45. Chapter 38
  46. Chapter 39
  47. Chapter 40
  48. Chapter 41
  49. Chapter 42
  50. Chapter 43
  51. Chapter 44
  52. Chapter 45
  53. SLICE
  54. Chapter 46
  55. Chapter 47
  56. Chapter 48
  57. Chapter 49
  58. Chapter 50
  59. Chapter 51
  60. Chapter 52
  61. Chapter 53
  62. Chapter 54
  63. Chapter 55
  64. THE MILLION-DOLLAR BULLET
  65. Chapter 56
  66. Chapter 57
  67. Robert Moreno Homicide
  68. Chapter 59
  69. Chapter 60
  70. Chapter 61
  71. Chapter 62
  72. Chapter 63
  73. Chapter 64
  74. Chapter 65
  75. Chapter 66
  76. Chapter 67
  77. Chapter 68
  78. Chapter 69
  79. Chapter 70
  80. Chapter 71
  81. Chapter 72
  82. Chapter 73
  83. Chapter 74
  84. Chapter 75
  85. Chapter 76
  86. Chapter 77
  87. SMOKE
  88. Chapter 78
  89. Chapter 79
  90. Chapter 80
  91. Chapter 81
  92. Chapter 82
  93. Chapter 83
  94. Chapter 84
  95. Chapter 85
  96. Chapter 86
  97. Chapter 87
  98. Chapter 88
  99. Chapter 89
  100. Chapter 90
  101. Chapter 91
  102. Chapter 92
  103. MESSAGES
  104. Chapter 93
  105. Chapter 94
  106. Chapter 95
  107. Chapter 96
  108. Chapter 97
  109. Chapter 98
  110. WHEN YOU MOVE…
  111. Chapter 99
  112. The Recipes of Jacob Swann
  113. Acknowledgments
  114. About the Author
  115. Also by Jeffery Deaver
  116. Thank you for buying this ebook, published by Hachette Digital.
  117. Contents
  118. Copyright

Rhyme and the detective had worked together years ago, as partners, and it had largely been Lon Sellitto who’d pushed Rhyme back to work after the accident, not by coddling or cajoling but by forcing him to get off his ass and start solving crimes again. (More accurately, in Rhyme’s case, to stay on his ass and get back to work.) But despite their history Sellitto never came by just to hang out. The detective first-class was assigned to Major Cases, working out of the Big Building—One Police Plaza—and he was usually the lead detective on the cases for which Rhyme was hired to consult. His presence now was a harbinger.

“So.” Rhyme looked him over. “Do you have something good for me, Lon? An engaging crime? Intriguing?”

Sellitto sipped and nibbled. “All I know is I got a call from on top asking if you were free. I told ’em you were finishing up Williams. Then I was told to get here ASAP, meet somebody. They’re on their way.”

“‘Somebody’? ‘They’?” Rhyme asked acidly. “That’s as specific as the ‘something’ detaining my doctor. Seems infectious. Like the flu.”

“Hey, Linc. All I know.”

Rhyme cast a wry look toward Sachs. “I notice that no one called me about this. Did anybody call you, Sachs?”

“Not a jingle.”

Sellitto said, “Oh, that’s ’causa the other thing.”

“What other thing?”

“Whatever’s going on, it’s a secret. And it’s gotta stay that way.”

Which was, Rhyme decided, at least a step toward intriguing.

Chapter 3

CHAPTER 3

RHYME WAS LOOKING UP at the two visitors, as different as could be, now stepping into his parlor.

One was a man in his fifties, with a military bearing, wearing an untailored suit—the shoulders were the giveaway—in navy blue, bordering on black. He had a jowly, clean-shaven face, tanned skin and trim hair, marine-style. Has to be brass, Rhyme thought.

The other was a woman hovering around the early thirties. She was approaching stocky, though not overweight, not yet. Her blond, lusterless hair was in an anachronistic flip, stiffly sprayed, and Rhyme noted that her pale complexion derived from a mask of liberally applied flesh-toned makeup. He didn’t see any acne or other pocks and assumed the pancake was a fashion choice. There was no shadow or liner around her gun-muzzle black eyes, all the more stark given the cream shade of the face in which they were set. Her thin lips were colorless too and dry. Rhyme assessed that this was not a mouth that broke into a smile very often.